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I have always liked Jane Austen’s novels and have read most of them multiple times. Similarly, I am okay with. Scriptwriters taking small liberties with the stories, meaning I don’t dislike it just because of the changes. However, as I watched this adaptation, I found myself not liking it as much as I had other versions. I had to think about why, because I thought a couple of the performances were better than average and the sets and costumes were fine. It seems there was no rhyme or reason for some of the changes. Events or spoken lines occurred at different times than I expected, or a different person said it, and even at least temporary changes in personality of characters occurred a couple of times. It didn’t reach the level of me giving up on the movie or contemplating a dismal rating here, but it was enough to leave my mentally scratching my head and vaguely thinking it could have been better.
1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.
Diane and Dora are two whores who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.
Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.
A young girl arrives in New York City from Ohio determined to make it in the big city, but circumstances result in her becoming a waitress, then a prostitute.
Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier, John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.