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Risky adaptation of a great musical with catchy songs. Carl Anderson performs a great Judas. Some of the other actors are quite good too, like Barry Dennen as Pontius Pilate but Ted Neeley as Jesus is quite a whimp. In any case, a very interesting adaptation of a musical which deserves to be watched at least once.
Norman Jewison shipped everyone to Israel to help give this adaptation of the Lloyd Webber/Rice hit rock opera as much authenticity as possible for the big screen. Ted Neeley dons the robes for the title role and ably aided by a very much on form Carl Anderson (Judas) and Yvonne Elliman (Mary Magdalene) reimagines the stage performances that take us from modern day through the ages to the lifetime of Christ. Neeley certainly has that established look to him, but I actually found him rather underwhelming (it doesn't help that his are certainly not the best numbers). As the story gathers momentum the other two very much come into their own leading an ensemble cast that mixes historical and contemporary styles of music and dance, language and imagery to try to modernise (1970s style) this provocative story. Josh Mostel turns in quite a fun routine as the slightly camp King Herod, and Barry Dennen likewise as the conflicted governor Pilate but for me the whole thing really belongs to Anderson's traitor. The settings serve it well, Douglas Slocombe knows well how to use the ancient monuments and some modern lighting to deliver that extra layer to differentiate it from the stage performance - which, at times, this all too closely resembles. Groundbreaking it certainly was, but time hasn't been especially kind to it and fifty years on it almost comes across as much of a parody as "Life of Brian" (1979). Still, "I Don't Know How to Love Him", "Everything's Alright", "Heaven on their Minds" and the powerful "Gethsemane" offer robust lyrics for the unfolding story of the last few days of Jesus. I did enjoy this on stage, but this film not so much...
Lonely, misused, ashamed- A desperate runaway reached by the Love of God.
Walt Disney animation animated cartoon musical compilation ("The BIG Parade of MIRTH and MELODY"; "Offering hits re-released from 'Make Mine Music' and 'Melody Time'"; featuring cartoons from the 1946 musical, "Make Mine Music," and the 1948 musical "Melody Time") featuring Donald Duck, Joe Carioca, and other Disney cartoon characters, and also songs by Fred Waring and his Pennsylvanians, Benny Goodman and His Orchestra, Frances Langford, Roy Rogers and Trigger, The Andrews Sisters (Laverne, Maxene, and Patty Andrews), Freddy Martin and his orchestra, Sons of the Pioneers, Jerry Colonna, and Ethel Smith
While working as a hotel busboy, aspiring bandleader Carlos Estrada tries to persuade singer Lolita Valdez to join him in a rhumba contest in Havana.
Recording of a performance by Ballet de l'Opéra national de Paris of the ballet on Music for 18 Musicians by Steve Reich, choreographed by Anne Teresa De Keersmaeker.
"Gus Arnhein and His Coconut Grove Orchestra" is an agreeable short-and one of the earlier Vitaphone released. While the band is just about totally forgotten today, they had a nice sound and are a nice representative of the era. And, like most Vitaphone films of the day, the camera is mostly stationary and there are no fancy effects-just a straight recording of the act-which included several nice songs.
After moving from New York City to Indiana, a 12 year old navigates his parents' divorce, his impending bar mitzvah and his new school's social circles.
After reluctantly agreeing to coach cross-country, high school basketball Coach John Harrison helps the least likely runner attempt the impossible in the biggest race of the year.
A loner fresh out of rehab and hunted by both sides of the law returns home to solve the murder of his sister, and finds himself entangled in a game of revenge on the LA club circuit.
Studying music at a remote island academy, poor Mayumi (Aki Hoshino) and her classmates fall victim once more to erotic tortures at the hands of their corrupting instructors. Just in time, Kekko Kamen (Misaki Mori) takes center stage with a red mask on her head, nunchakus in her hands, and a song in her heart!
Davy and Ally have to re-learn how to live life in Edinburgh after coming home from serving in Afghanistan. Both struggle to learn to live a life outside the army and to deal with the everyday struggles of family, jobs and relationships. Sunshine on Leith is based on the sensational stage hit of the same name, featuring music by pop-folk band The Proclaimers.
