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Room 207 and the 3:10 To Yuma. Van Heflin plays rancher Dan Evans whose family and livelihood is at breaking point due to a devastating drought. Needing money fast, Evans gets thrown a financial lifeline when a reward is offered to escort a recently captured outlaw, Ben Wade (Glenn Ford), on to the 3:10 train to Yuma prison. But as Wade's gang closes in to free the shackled outlaw, and the clock starts to tick down, Evans finds himself torn between a sense of social duty and an easy option courtesy of Wade's mind game offer. Based on a story by Elmore Leonard, this is a tight and tense Western that harks to the wonderful High Noon five years earlier. Directed by Delmer Daves, 3:10 to Yuma sees two of the Western genre's most undervalued performers come together in perfect contrast. Heflin's Evans is honest, almost saintly; but ultimately filling out his life with dullness and too much of a safe approach. Ford's Wade is the other side of the coin, ruthless (the opening sequence sets it up), handsome and very self-confident. This coupling makes for an interesting story-one that thankfully delivers royally on its set-up. As Wade's gang closes in, led by a sleek and mean Richard Jaeckel, Wade toys with Evans, offering him financial gain and gnawing away at him about his abilities as a husband, the tension is palpable in the extreme. Nothing is ever certain until the credits role, and that is something that is never to be sniffed at in the Western genre. The comparison with High Noon is a fair one because 3:10 to Yuma also deals with the man alone scenario. A man left alone to deal with his adversaries and his own conscience; money or pride indeed. Daves' direction is gritty and suitably claustrophobic, with close ups either being erotically charged {watch out for Felicia Farr's scenes with Ford in the saloon} or tightly wound in room 207 of the hotel; where Heflin & Ford positively excel. His outdoor work, aided by Charles Lawton Jr's photography, also hits the spot, particularly the barren land desperate for water to invigorate it. While the piece also has a tremendous George Duning theme song warbled (and whistled by Ford in the film) by Frankie Laine. Great acting, great direction and a great involving story; essential for fans of character driven Westerns. 8.5/10 Footnote: The film was very well remade in 2007 with two of the modern era's finest leading men, Russell Crowe & Christian Bale, in the dual roles of Ben & Dan respectively. One hopes, and likes to think, that they remade it purely because it was such a great premise to work from. Because Daves' film didn't need improving, it was, and still is, a great film showcasing how great this often maligned genre can sometimes be.
A top 50’s Western with Glenn Ford only held back by the B&W photography RELEASED IN 1957 and directed by Delmer Daves, "3:10 to Yuma” is a Western about a struggling Arizona rancher, Dan Evans (Van Heflin), who has no choice but to hire-on as an escort of dangerous, but charismatic outlaw, Ben Wade (Glenn Ford). Wade proceeds to employ psychological manipulation in order to corrupt the righteous family man and escape. This is a quality psychological Western from the 50s, only held back by the B&W photography. The Arizona landscapes are spectacular but they’re all for naught due to this flat B&W presentation. Nevertheless, the story & characters are great. The mind games Wade plays with Evans keeps things interesting. Felicia Farr, the hottie from Glenn Ford’s excellent “Jubal” (1956) is on hand as a bartender who has a thang for bad boys. I’m not complaining about her role, but it’s a tad unlikely that such a smoking hot woman would be alone for too long in the Old West where there were twenty times more men than women. Most old Western theme songs are hopelessly hokey, e.g. “North to Alaska” (1960) (a great Western), but the one here sung by Frankie Laine is very good. I like it when words that don't rhyme are made to rhyme in a song: "There's a legend and a ruma', when you take the 3:10 to Yuma." The 2007 remake with Christian Bale and Russell Crowe in the Evans/Wade roles takes the template of this film and makes a superior Western with more action and deeper themes, not to mention IN COLOR. THE MOVIE RUNS 1 hour, 32 minutes and was shot in Arizona (Old Tucson,, Contention City, Sedona, etc.) and the studio ranch in Burbank, California. WRITERS: Halsted Welles (screenplay) and Elmore Leonard (story). GRADE: B
Interesting watch, especially after the remake (which improved on some plot holes). The first half is a "typical western" that you could easily see Wayne or Stewart in. But the second half (once they arrive in Contention), sees this turn into more of a psychological drama. Especially surprising is that Wade's torments actually seem to break the hero, Evans. In this movie, Evans then suddenly seems to "right" himself and get on the train with a happy ending because Wade, for some inexplicable reason, decides to help him. The acting of the 2 leads is top notch (esp Ford), but all else are left aside and not developed. The score and cinematography are superb. Overall an above average western, worthy of its status as a classic, but not the masterpiece I was hoping for.
A small suburban town receives a visit from a castaway unfinished science experiment named Edward.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Six people travel by train overnight from Marseilles to Paris. When the train arrives at its destination, one of the passengers, a girl, is found dead in a sleeping berth. The police led by Inspector Grazzi investigate the other five passengers, suspecting that one of them was responsible. However, as the investigation is stepped up, the other passengers start turning up dead. It is then up to the last remaining two to solve the case, before they become the next victims.
France, 1870s. Rosalie is a young woman unlike any other. She hides a secret: she was born with a face and body covered in hair. She’s concealed her peculiarity all her life to stay safe, shaving to fit in. Until Abel, an indebted bar owner unaware of her secret, marries Rosalie for her dowry. Will Abel be able to love Rosalie and see her as the woman she is, once he finds out the truth?
A young police officer "makes a mess" of a police operation, shoots a man in self-defense, and ends up in prison. There he learns that the world isn't black and white, but has many shades of gray, and makes new friends and enemies.