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I've watched a lot of dumb movies, but never had I seen one that defends the notion of 'ignorance is bliss' as zealously as After the Dark. Director John Huddles sets the action, such as it is, at an international school in Jakarta; specifically in Mr. Zimit's (James D'Arcy) class. Zimit's is ostensibly a philosophy class, but it might as well be called 'Exposition 101'. “Do we feel like recapping some of our favorite thought experiments?,” Zimit asks rhetorically on the last day of school to his 20 students, some of whom proceed to do exactly that, also explaining what each experiment consists of. Now, a classroom is as good a place for an Info Dump as you’ll ever find, but this feels like something more appropriate for the first day of school, not the last; this unfortunate timing turns this into a transparent case of As You Know. Anyway, someone mentions the infinite monkey theorem: “if you put a monkey at a typewriter and let him bang away at it forever, he'll eventually, almost surely, completely randomly type out the entire play of Hamlet, word for word.” I'd make the obvious joke about how that’s the way this movie was written, except I'm convinced a monkey could do a much better job, and it wouldn't take forever either. All of this is just a preface to Zimit's own thought experiment, which is a mix of Survivor, Big Brother, and Dungeons & Dragons. Basically, there is a fallout shelter with a capacity of ten people and the class must decide which ten go in and which 11 — counting Zimit — are left out, based on the fictional professions that Zimit randomly assigns them. This exercise is done thrice, and the repetition only succeeds in highlighting how stupid the movie and its characters really are. For example, Zimit states about the shelter’s inhabitants that “They cannot share oxygen. Every cubic centimeter of breathable air here, once the outer door is sealed, comes from these compressed tanks. This place has been designed to hold 10 people for a year; one more person means death from hypoxia” (to save time, everyone pictures the exact same shelter). Additionally, the specifications established in the first exercise carry over into the second and third; e.g., the code to open the shelter door at the end of the year is always the same number. Despite this, the class decides that "we need a pregnancy as soon as possible ... produce a healthy baby during the course of the year of confinement" because "having children becomes the No. 1 job after the apocalypse." Guys, have you already forgotten that "one more person means death from hypoxia"? These characters are nowhere near as smart as Huddles would have us believe, especially James (Rhys Wakefield), boyfriend of Petra (Sophie Lowe); when it becomes apparent that she and Zimit are going to have to repopulate the planet by themselves, James reacts as if they are actually going to have sex (a reaction that makes no sense even within the simulation, considering he’s supposed o be gay in it). Fortunately for James, Petra likes them dumb, and to this preference is that we owe everything we see here; Zimit, with whom Petra has been cheating on James, believes "he's not smart enough for you." Thus, the whole thing is just a juvenile attempt to expose James’s lack of intelligence, which in turn doesn’t speak very highly of Zimit’s own cranial capacity. This Petra is something else, by the way; first she plays with Zimit's feelings, and then gets offended that he, philosophy professor and all, is still as human as the next guy and takes her stringing him along personal. From what we see of James, he wouldn't react much more maturely if he found out about Petra's duplicity, but she rationalizes keeping the truth from him thus: “Punishing [James] doesn't make sense because he doesn't know about us. I'm not sure he needs to know. Especially after how you behaved today.” How she has behaved, however, doesn’t trouble her in the least. All things considered, After the Dark's message is that “being smart isn't everything,” which is exactly what a fool would say. What else is there apart from intelligence? Physical beauty fades, and sense of humor can only take you so far. I, for one, would never date a person who thought this movie is any good at all.
A 1939 test pilot asks his best friend to use him as a guinea pig for a cryogenics experiment. Daniel McCormick wants to be frozen for a year so that he doesn't have to watch his love lying in a coma. The next thing Daniel knows is that he's been awoken in 1992.
Eight people embark on an expedition into the Congo, a mysterious expanse of unexplored Africa where human greed and the laws of nature have gone berserk. When the thrill-seekers - some with ulterior motives - stumble across a race of killer apes.
Antwerp in the fifties. Robin de Hert grew up in a Catholic parochial environment; on the one hand there is his authoritarian father and the sadistic secretary of the Catholic boys technical school, on the other hand there are the 'Grieten' and the French teacher with whom Robin is getting a good band through a secret they share. If the secretary finds out about this secret, this has major implications for both the teacher and the students ...
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
In 1981, an enthusiastic young adventurer follows his dreams into the Bolivian Amazon jungle with two friends and a guide with a mysterious past. Their journey quickly turns into a terrifying ordeal as the darkest elements of human nature and the deadliest threats of the wilderness lead to an all-out fight for survival.
Nick cannot stop obsessing over his ex-girlfriend, Tris, until Tris' friend Norah suddenly shows interest in him at a club. Thus begins an odd night filled with ups and downs as the two keep running into Tris and her new boyfriend while searching for Norah's drunken friend, Caroline, with help from Nick's band mates. As the night winds down, the two have to figure out what they want from each other.
Two friends, a boy and a girl, at the age of 16, decide to deal with the taboo of being naked.
Charlotte is a young woman alienated in her existential struggles. Lucca Riviera is a beginning musician with promising talent. When nobody shows up to Lucca's first concert, he decides to perform anyways, unaware of the impact he will have when Charlotte stumbles upon his show.
The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.
After eight years apart, three childhood friends - Lucy, Kit, and Mimi - rediscover their friendship on a cross-country trip. With barely a plan, practically no money but plenty of dreams, the girls catch a lift with Mimi's handsome friend Ben in his convertible. Along the way they not only gather experiences that will change their lives, but they also discover how important it is to hold onto their hearts' desires.
William Hundert is a passionate and principled Classics professor who finds his tightly-controlled world shaken and inexorably altered when a new student, Sedgewick Bell, walks into his classroom. What begins as a fierce battle of wills gives way to a close student-teacher relationship, but results in a life lesson for Hundert that will still haunt him a quarter of a century later.