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Dogs Behaving (Very) Badly - (Mar 29th)
Home of the Year - (Mar 29th)
Deal or No Deal - (Mar 29th)
The 11th Hour with Stephanie Ruhle - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
Renters - (Mar 29th)
Motorway Patrol - (Mar 29th)
The First 48 Presents Critical Minutes - (Mar 29th)
Theresa Caputo- Raising Spirits - (Mar 29th)
The Cook Up with Adam Liaw - (Mar 29th)
ROH On HonorClub - (Mar 29th)
Taking the Stand - (Mar 29th)
The Trades - (Mar 29th)
Family Guy - (Mar 29th)
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Royal Crackers - (Mar 29th)
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The Nature of Things - (Mar 29th)
Manhunt - (Mar 29th)
The Garden of Words poetically symbolises the tranquility and loneliness of rain. “A faint clap of thunder. Even if the rain comes not, I will stay here, together with you”. Walking the path of life is no easy feat. The appropriate metaphysical footwear must be utilised for every type of emotional terrain we encounter. Sandals for joy. Wellies for sadness. Sneakers for rage. Yearning to overcome our rational, or irrational, fears so that we can “walk” again. Teenage student Takao, an aspiring shoemaker, attempted to perform such a generous offer for Yukari. A mysterious woman he socialises with in the dense thickened foliage of a Japanese garden experiencing torrential downpour. Two souls of differing youth encompassing an identical level of maturity. Yukari avoiding her career to snack of delicious chocolate and consume canned beer, whilst Takao solidly working throughout his summer break. The two share a common trait. Seclusion. The melancholy of isolation is one that evokes a rainfall of sympathy, and director/writer Shinkai embodies all of nature’s complexities to portray these wandering individuals. The ferocity of rain portraying both the characters’ sadness whilst shielding them from the rest of society. The pale green shading of the summery foliage producing a reassuring aura of tranquility within the garden. Yet it’s Shinkai’s usage of Man’yōshū poetry that truly captivates, adding a traditional authenticity to the Japanese central romantic narrative. With “love” being traditionally written as “lonely sadness”, Shinkai honed in on the deprivation of companionship. When both characters see each other as salvational assets as opposed to romantic interests, it provides a subtle layer of maturity that is commonly found in Shinkai’s writing. Love is never simple, yet nature finds a way to pull people together. The Garden of Words itself is that motif. As expected, the animation was gorgeous. Faultless. Combining hand-drawn animation with rotoscoping to create meticulously constructed scenery, assisting in the world building of their blossoming friendship. Less detail is given to facial expressions, with much of the attentive focus towards the environmental backdrop, which occasionally leaves a vacuous emotional complexion. Almost expressionless on occasion. Not enough to deter from the character building, but worth noting. Shinkai’s unfortunate issue here is with the runtime. It’s short. Absurdly short. At only forty six minutes in length, the character development between Takao and Yukari is often rushed with no emotional simmering. This became drastically noticeable during the climax when Takao discovers the reasoning behind Yukari‘s work avoidance. The exquisitely mature metaphors and symbolic imagery were somewhat diminished for a typical “anime ending”. What I mean by that, is the sole purpose in attempting to make the viewers shed a tear. The erratic framing, the J-pop music and the explosion of emotion is typical work from Shinkai, yet it never suited the preceding scenario. Whilst it nearly, oh so nearly, worked for me (I held back that tear!), it fell short due to the complacent storytelling. Motohiro Hata’s vocal talent behind the theme song “Rain” was exceptional though, almost replicating Takao’s personality. So I’ll give some leniency... The Garden of Words is poetry. Visually and literarily. With gorgeously vibrant animation and themes of maturity, Shinkai has crafted a wonderfully organic story that depicts loneliness with a hint of empathy. If only he was able to stretch it out for another half an hour, we could’ve witnessed a masterpiece in the making.
Beautiful animation. A slow pace and lack of character development limit this film slightly, but it is still a touching story that is a good addition to Shinkai's filmography. I really do not know why his films are always so focused on characters with such big age gaps... Score: 70% 👍 Verdict: Good
Sakura Kinomoto, a Card Captor, wins a game of chance and is awarded a trip to Hong Kong, along with her best friend Tomoyo and her rival, Syaoran Li. It turns out that the ancient rival of Clow Reed, the creator of the mysterious and powerful Clow Cards, summoned them, and she's out for revenge. A battle ensues, and secrets are revealed about Clow Reed's shady past and Sakura's connection to him.
BSAA Chris Redfield enlists the help of government agent Leon S. Kennedy and Professor Rebecca Chambers from Alexander Institute of Biotechnology to stop a death merchant with a vengeance from spreading a deadly virus in New York.
Banyu, a boy with autism spectrum disorder, starts a beautiful friendship with Radin and Kinara. When they all grown up, a tragic event occurred, putting their friendship on the edge of destruction.
In 19th century France, an escaped convict seeks redemption while caring for a young woman whose mother he once protected, and aligning himself with a band of student revolutionaries.
A mockumentary following the rise, fall and continued tribulations of former internet personality Chet Larson and those associated with him.
This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
Seven friends part ways after their last day at school. Some seek their fortune in Tokyo, others remain in their hometown Maebashi. Over the course of ten years, their paths keep crossing, and while they experience losses and broken dreams, they learn about the value of friendship. Director Michihito FUJII tells a timeless coming-of-age story in this outstanding ensemble drama.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
The Ark Fleet has been destroyed, and a significant number of the enemy's troops have been wiped out due to its crash landing. As the remaining forces of the Holy Order of Michael regroup in order to launch a final assault on Weiswolf Castle, the wZERO unit, along with their new ally Ashley Ashra, stand ready to intercept them. Meanwhile, with his Geass out of control, Shin moves to erase his younger brother's existence once and for all. But Akito, having promised Leila that he will come back alive, refuses to accept such a fate, and the two clash in their final battle.