Late Night with the Devil 2023 - Movies (Apr 19th)
Problemista 2023 - Movies (Apr 19th)
Blood for Dust 2023 - Movies (Apr 19th)
Ghostbusters Frozen Empire 2024 - Movies (Apr 19th)
Asphalt City 2023 - Movies (Apr 19th)
The Christmas Break 2023 - Movies (Apr 19th)
The Christmas Detective 2023 - Movies (Apr 19th)
Meet Me in Paris 2023 - Movies (Apr 18th)
Peppermint and Postcards 2023 - Movies (Apr 18th)
The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
All You Need Is Death 2023 - Movies (Apr 17th)
The Dive 2023 - Movies (Apr 17th)
Bad Hombres 2024 - Movies (Apr 17th)
Immaculate 2024 - Movies (Apr 16th)
An American Bombing The Road to April 19th 2024 - Movies (Apr 17th)
Red Island 2023 - Movies (Apr 16th)
Eddie Murphy Hollywoods Black King 2023 - Movies (Apr 16th)
Himalaya 2024 - Movies (Apr 16th)
Accused- Guilty or Innocent? - (Apr 19th)
Interrogation Raw - (Apr 19th)
Young Sheldon - (Apr 18th)
Gutfeld! - (Apr 19th)
Hannity - (Apr 19th)
The Five - (Apr 19th)
The Ingraham Angle - (Apr 19th)
All In with Chris Hayes - (Apr 19th)
Alex Wagner Tonight - (Apr 19th)
The Last Word with Lawrence ODonnell - (Apr 19th)
Law and Order- Organized Crime - (Apr 19th)
Tonight - (Apr 19th)
Next Level Chef - (Apr 19th)
Royal Crackers - (Apr 19th)
Caught - (Apr 19th)
Down Home Fab - (Apr 19th)
Building Off the Grid - (Apr 19th)
A Gentleman in Moscow - (Apr 19th)
BMF - (Apr 19th)
So Help Me Todd - (Apr 19th)
Indestructible Gibson in grim and gritty telling of The Hunter. This is not an out and out remake of John Boorman's 1967 offering Point Blank, the structure is different from the 67 film, and where Point Blank is a dark psychological thriller that is rightly regarded as being towards the top of the neo-noir tree, this Brian Helgeland directed film really should be seen as a different interpretation of Donald E. Westlake's novel The Hunter. Mel Gibson plays tough as nails thief Porter, who is double crossed, shot, and then left for dead by his wife Lynn (Deborah Kara Unger) and his partner in crime Val Resnick (Gregg Henry). We are then taken on a dark journey as Porter sets out to reclaim the $70.000 that he was shot and almost killed for. He wants no more, no less than what he is owed, and he literally will stop at nothing to achieve his goal. Including taking on the Chicago mob organisation known as The Outfit. Payback is a mean and violent movie, it is unrelenting in its willingness to keep nastiness at the top of the story. The film is full of flawed and vile people, even Porter himself, the closest we have to a (anti) hero has badness coursing through his veins, he is a dislikable killer, the film is about exactly what the tag-line suggests, Get Ready To Root For The Bad Guy! As Porter trawls through this part of Chicago, he will come across bent coppers, drug pushers/addicts/runners, Asian gangsters, prostitutes, violence fetishists and the slimy chain of command of the Chicago mob. Nobody here is about to cheer you up. The style of the film owes its being to classic film noir and the 1970s hard crime movies led by Dirty Harry and Death Wish. The makers had originally wanted to film it in black and white, but instead went for a de-saturation technique, a bleach by-pass process that really puts a grim grey and blue sheen on the visuals. The thumping score is tonally correct, while a good sound track also helps (always nice to see hear Voodoo Chile), and the use of voice over narration by Porter evokes the classic noir period and works a treat because it's not over done. The film strongly relies on Mel Gibson to bring menace and a measure of sympathy to the vengeful Porter, and it is with much credit that he manages to achieve both these things skilfully. He is backed by a strong support cast, Maria Bello admirable in her big shift from TV to film - Lucy Liu hilarious and stunningly sexy as a dominatrix and Gregg Henry is just wild. The Outfit chain of command features William Devane, James Coburn and Kris Kristofferson, all slick and welcome additions, even if they are all under used; though this is more by narrative necessity than film making decisions. Bill Duke, David Paymer and Jack Conley fill out the impressive roll call of scum-bags. Violent, laconic and darkly comic as well, Payback is one of the best remakes around, a neo-noir essential in fact. 8.5/10 Footnote: Director Helgeland released his own Directors Cut in 2006. Unhappy with the original version, he changed some of the structure and visual style and made it shorter by ten minutes. It's inferior to the 100 minute original cut in my opinion, losing much of the noir stylisations, but the last quarter is different and will (does) certainly appeal to others.
An underrated crime noir that somehow snuck it's way into the overcrowded 90s. With phrases like, "expected horizontal refreshment", you know this is going to be good.
_**Amusing neo-noir in Chicago with Mel Gibson, Gregg Henry and Maria Bello**_ After a heist with an Asian gang, a no-nonsense man (Mel Gibson) is left for dead by his accomplices (Gregg Henry & Deborah Kara Unger) in the underbelly of the Big City, but he unexpectedly recovers and wants vengeance, not to mention his $70,000. Maria Bello, Lucy Liu, William Devane, Kris Kristofferson, James Coburn and other notables are on hand. "Payback" (1999) is modern film noir with colors so muted it’s almost B&W (although I hear the Director’s Cut heightens them). It’s a remake of Coburn’s “Point Blank” (1967) and is ‘hip’ & entertaining in an amusing Tarantino kind of way, although it’s nowhere close to the greatness of “Pulp Fiction” (1994) or even “Jackie Brown” (1997). However, my wife liked it more than me and gave it 7/10, but then she’s a fan of Gibson. The film runs 1 hour, 40 minutes, and was shot mainly in Chicago, along with Mount St. Mary's College in Los Angeles with studio stuff done in Burbank. There’s also an establishing shot of Manhattan. GRADE: B-
A privileged girl and a charismatic boy's instant desire sparks a love affair made only more reckless by parents trying to keep them apart.
A man visits a school to enroll his son, but then he pulls out a gun and robs the school from their money. The movie follows the man and is shot with an unsteady handycam.
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
A TransSiberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
A beautiful young gold-digger mistakes a lowly hotel clerk as a rich and therefore worthwhile catch.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
In a post-zombie world, where the infected live normal lives, their retroviral drug is running out.
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
Elnora Comstock lives on the edge of a great swamp and collects butterflies to sell in order to go to high school and pay for violin lessons. Her mother, Kate Comstock, hates her as she blames the girl for the father's death as he drowned in a quagmire on the way home the night the girl was born. The years-late revelation that the husband had been off courting a neighbor woman that night brings an attitude adjustment to the mother.
On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.