Even Hell Has Its Heroes 2023 - Movies (Mar 28th)
Haunting of the Queen Mary 2023 - Movies (Mar 28th)
Uproar 2023 - Movies (Mar 28th)
Peter Five Eight 2024 - Movies (Mar 28th)
Windcatcher 2024 - Movies (Mar 27th)
The Truth vs. Alex Jones 2024 - Movies (Mar 27th)
Easter Evil 2024 - Movies (Mar 27th)
The Iron Claw 2023 - Movies (Mar 26th)
Kung Fu Panda 4 2024 - Movies (Mar 26th)
The Book of Clarence 2023 - Movies (Mar 26th)
Molli and Max in the Future 2023 - Movies (Mar 26th)
Ordinary Angels 2024 - Movies (Mar 26th)
Imaginary 2024 - Movies (Mar 26th)
Easter Bloody Easter 2024 - Movies (Mar 26th)
Snow Valley 2024 - Movies (Mar 26th)
Drift 2023 - Movies (Mar 26th)
Good One A Show About Jokes 2024 - Movies (Mar 26th)
Sentinel 2024 - Movies (Mar 26th)
Cessationist 2023 - Movies (Mar 26th)
Tig Notaro Hello Again 2024 - Movies (Mar 26th)
The Peasants 2023 - Movies (Mar 26th)
The Young and the Restless - (Mar 28th)
The Bold and the Beautiful - (Mar 28th)
The Apprentice - (Mar 28th)
Taskmaster - (Mar 28th)
Car S.O.S. - (Mar 28th)
WWE Main Event - (Mar 28th)
Rob Beckett’s Smart TV - (Mar 28th)
Gutfeld! - (Mar 28th)
The Ingraham Angle - (Mar 28th)
The Five - (Mar 28th)
MSNBC Reports Andrea Mitchell Reports - (Mar 28th)
Dimension 20 - (Mar 28th)
Resident Alien - (Mar 28th)
Allegiance - (Mar 28th)
Invincible - (Mar 28th)
The Kelly Clarkson Show - (Mar 28th)
The Great Canadian Pottery Throw Down - (Mar 28th)
After Midnight - (Mar 28th)
Reality of Wrestling - (Mar 28th)
Gogglebox Australia - (Mar 28th)
Sex Pistols Part II Guncrazy is directed by Tamra Davis and written by Matthew Bright. It stars Drew Barrymore, James Legros, Ione Skye, Michael Ironside, Joe Dallesandro and Billy Drago. Music is by Ed Tomney and cinematography by Lisa Rinzer. "Love made them crazy. Guns made them outlaws!" High schooler Anita Minteer (Barrymore) is abused at home and at school and by so called friends. Seeking some sort of solace, she befriends - via letters - a convict named Howard (Legros). When Howard is paroled, the pair hook up and quickly find a loving bond. A bond that also involves a passion for guns... In spite of reports in some quarters, this is not a remake of Joseph H. Lewis' superb film noir of the same name (though the words gun and crazy are separated there) from 1950. Whilst it's also worth mentioning that it's not a knock-off of Bonnie and Clyde (outstanding and trailblazing pic for sure), because for that to be the case we would have to ignore the fact that Lewis' film, and the likes of They Live by Night (Nicolas Ray - 1948) , were not key influences and big movers in the lovers on the lam splinter of noir. It is of course, an amalgamation of said influences, and despite a relatively average rating on the big internet movie sites, this is a neo-noir well worth seeking out for those so inclined. Students of classic era film noir can't but help to be pulled in by the many deviance's at work, themes involving sexual abuse, promiscuity, impotence, alienation, prostitution and foolish love, the latter pitching a classic noir character into a vortex from which they in all probability know they can't return from. It's not that Anita is a femme fatale, because she's so young and isn't written as a viper type, it's that her youthful ignorance, her teenage hormones tortured by a torrid upbringing, is enough for Howard to grasp onto as a semblance of normality. They are both fools, but honest with it, it's the classic romanticised dream going sour. Again, a classic film noir trait. Visually there is much to recommend here. The use of slatted shadows and balustrade is cunning and nods appreciatively to influences past, the inference obviously that Howard may be out of prison, but he's still behind bars. Davis throws in a number of striking scenes, a camera shot looking out as a grave is dug, our lovers close and personal (sexy) as they shoot guns, and the finale has a sad grace that, "again," noir lovers can appreciate. Matthew Bright's screenplay also has black comedy elements, the script devious with Freudian smarts, while the cast turn in performances worthy of the form. OK! So this formula has been done better before, and yes we want more of Ironside and Drago (wonderful characters), and this may have underwhelmed those after a gun crazy action thriller - while Barrymore fans back in the day may have been bemused - but it's a very smart and neatly constructed neo-noir. 7.5/10
A Los Angeles detective and his Japanese partner woo an artist while solving a stripper's murder.
After committing a murder, a man locks himself in his apartment and recollects the events the led him to the killing.
Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.
Paris in 1942. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.
Chloe, a teenager who is confined to a wheelchair, is homeschooled by her mother, Diane. Chloe soon becomes suspicious of her mother and begins to suspect that she may be harboring a dark secret.
Brinking News is a story about a middle school girl and her friends working to solve a mystery at their school before it's too late. In order to get to the bottom of it and make things right they must first take the big risk of believing in themselves. This is a completely original narrative screenplay, from story to musical score, produced by the AG Wright Film Club. Premiered as the feature film at the Stafford County Film Festival May 11&12, 2018. We hope you enjoy watching it as much as we enjoyed making it. —Philip Snow
A woman on the run from ruthless kidnappers discovers her savior is the man jailed for attacking her 15 years earlier.
In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
When Narcing brings home his wife Puring to their hometown Mulawin in the 1930s, it sets off a series of events that include parricide, infidelity, betrayal, guilt and redemption.