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"Sir Robert Chiltern" (Jeremy Northam) is a British cabinet minister with a secret! He is determined that it remain exactly that - from his wife (Cate Blanchett) and from his political masters. Perhaps not too shrewdly, he turns to his rather underwhelming pal "Lord Goring" (Rupert Everett) whom he knows is well acquainted with his new found nemesis "Mrs. Cheveley" (Julianne Moore). With a parliamentary debate fast looming, and "Sir Robert" - in his role as a junior minister having a crucial role in a substantial government investment in Argentina - having to endorse or not, he finds himself in quite a quandary. Meantime, of course, "Goring" must try to help his friend whilst dealing with issues of his own with a disapproving father (John Wood) and poor old "Mabel" (Minnie Driver). What ensues here now is a lovely piece of Oscar Wilde satire that shines a light on a flawed political establishment with which he was probably quite well acquainted, and in which Rupert Everett shines. Though featuring only sparingly, he deftly portrays this outwardly lazy and spoilt gent with quite an engaging skill as we discover he is nowhere near as much of the hapless rake as he would have folks believe. His night of the visitors - when he must jig from room to room adopting a differing persona each time is really quite good fun to watch - and quite plausible too. The problem here is the rest of the ensemble. It's one of these sum of the parts scenarios. The big names are there, but the characters aren't. Moore really doesn't exude the Machiavellian nastiness I wanted from her and there's only so many times I can watch Blanchett do that thing with her eyes that is meant to suggest a myriad of emotions. Northam was only ever really adequate and here he fares no better, despite having a strong character to work with. I still think Wilde works best on the stage - there's a spontaneity there that makes his works sing. Here, it really only sort of murmurs with the odd potent spluttering of humour now and again. Looks splendid, though.
Things seem pretty bad for a young girl living a "hard-knock life" in an orphanage. Fed up with the dastardly Miss Hannigan, Annie escapes the run-down orphanage determined to find her mom and dad. It's an adventure that takes her from the cold, mean streets of New York to the warm, comforting arms of bighearted billionaire Oliver Warbucks - with plenty of mischief and music in between.
In a rural town in Louisiana, a black Master Sergeant is found shot to death just outside the local Army Base. Military lawyer, Captain Davenport—also a black man—is sent from Washington to conduct an investigation. Facing an uncooperative chain of command and fearful black troops, Davenport must battle with deceit and prejudice in order to find out exactly who really did kill the Master Sergeant.
It's winter in a small Scottish village near the sea, and multiple lives intersect in a day. Frances has just lost her husband to an early death, so her mother, Elspeth, travels to Frances' house to reconnect with her daughter and grandson, Alex. Meanwhile, old women Chloe and Lily go to a funeral, youngsters Sam and Tom cut class, and Alex gets a crush on tomboy Nita.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.
Early 20th century England: while toasting his daughter Catherine's engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine's prospects to pursue justice.
Salem, Massachusetts, 1692. When the local authorities and various inhabitants begin to believe that there are witches among them, a collective hysteria is born and spreads rapidly through the village as if it were a plague, causing a chain of tragic consequences…
