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Don't say comfortable eh? Out of Paramount Pictures, Rio Lobo is directed and produced by Howard Hawks (the last film he would direct) and stars John Wayne, Jorge Rivero, Jeniffer O'Neill, Jack Elam & Christopher Mitchum. It's written by Leigh Brackett & Burton Wohl, musically scored by Jerry Goldsmith and photographed by William H. Clothier on location at Cuernavaca, Mexico & Tuscon, Arizona. It's the third film in a loose trilogy by Hawks & Wayne that follows Rio Bravo (1959) & El Dorado (1966). Plot follows Wayne as Union officer Cord McNally who loses gold shipments (via the railway) to Confederate guerrillas led by Pierre Cordona (Rivero) & Tuscarora Phillips (Mitchum). It's the start of a relationship that will see all parties end up in Rio Lobo, Texas, where a traitor and a despotic sheriff are in their midst. Rio Lobo is easily the weakest Western that Hawks made with Duke Wayne. He himself would say that he didn't like the film, felt it wasn't any good, while Wayne himself was quoted as saying that he had already made the film twice before. Almost everything about Rio Lobo is tired, from the formula of the story to Wayne sleepwalking thru a role that held no challenge, it's a poor send off for one of America's finest directors. The script is solid enough, with many Hawksian themes evident; and it's nice to see the three lady characters be important to the story, but the cast put around Wayne are poor and out of their depth and this rubs off on the normally professional Wayne who finds he has nothing to act off of. It's not a total stinker, tho, certainly Clothier's photography and Goldsmith's score are worthy of investing time with, and the lead off sequence involving the train robbery is well put together and stirs the adrenalin. Sadly the film is never able to reach those heights again, with the ending being a rather tame affair that doesn't do justice to the bitter revenge tone that Hawks has steered the film towards. Of the sub-standard support cast there's only Jack Elam who is worth watching, be it for comedy value or for just giving it some gusto. All told the film just about comes out as watchable Sunday afternoon fodder. A running theme in the film sees fun poked at the ageing Wayne's expense, one of which involves the word comfortable. That is an apt word to use for Rio Lobo, because director and star are in the comfort zone, comfortably making an unchallenging and old hat movie. 5/10
There are really only two things to speak of with this: Tommy Tedesco's lovely guitar solo of Jerry Goldsmith's theme and Jack Elam is perfectly cast as the cantankerous whisky-swilling "Mr Phillips". Otherwise, it's just a routine outing for John Wayne (and Howard Hawks) who pretty much bears the weight of the film. Jorge Rivero; Jennifer O'Neill and Christopher Mitchum make up the numbers. The story is fun - a Yankee colonel meets up after the Civil war with two former Confederate officers to track down a man who had been selling secrets during the war and we have a few, predictable, adventures en route to an explosive climax.
A lawman captures the notorious "Pecos Kid", who is tried and hanged for his crimes-then starts to have doubts as to whether the Kid actually committed the crimes.
U.S. Marshal Wild Bill Hickok arrives in Goldfield to arrest Tex Martin, who has been accused of murdering the sheriff. "Hawk" Hammond, the man behind the sheriff's killing, sends his legions of henchmen to lynch Tex before the trail. Wild Bill and Tex escape to a stagecoach rest station run by Reba Bailey. There is a showdown battle at Hammond's saloon but not before Tex gets to sing two songs followed by a third one after the battle.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.
Lt. Col. Kirby Yorke is posted on the Texas frontier to defend settlers against depredations of marauding Apaches. Col. Yorke is under considerable stress by a serious shortage of troops of his command. Tension is added when Yorke's son (whom he hasn't seen in fifteen years), Trooper Jeff Yorke, is one of 18 recruits sent to the regiment.