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Blood Free - (Apr 24th)
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X-Men 97 - (Apr 24th)
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Grand Cayman- Secrets in Paradise - (Apr 24th)
FBI - (Apr 24th)
The Valley - (Apr 24th)
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Moonshiners- Master Distiller - (Apr 24th)
Under the Bridge - (Apr 24th)
The Big Door Prize - (Apr 24th)
Little People, Big World - (Apr 24th)
Mud Madness - (Apr 24th)
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Accused - (Apr 24th)
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Michael Palin in Nigeria - (Apr 24th)
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Jack Palance is ideally cast here as the Hollywood producer ("Prokosch") who has commissioned the legendary director Fritz Lang to breathe a last breath of life into the once thriving peplum genre with an adaptation of Homer's "Odyssey". He sees the rushes, and aside from a little nymph swimming in the nude, is unimpressed. Solution? Draft in accomplished playwright turned screenwriter "Paul" (Michel Piccoli) to liven things up. $10k is his fee and that will be enough to complete the renovations on the flat he shares with wife "Camille" (Brigitte Bardot). Thing is, though, as he starts to become more engaged with the film, his previously loving marriage starts to hit the skids. "Camille" is now distinctly off with him and even flirting with their new boss. Things all come to an head when they travel to Capri for the filming before a Parisian tragedy strikes. Now this is, indeed, a beautiful film to look at. The frequently naked Bardot, the glorious scenery and quite an interesting look behind the scenes at the now collapsed CineCittà studios that well illustrated the former greatness of this industry as effectively as the Coliseum does for the now faded greatness of Rome. The story - well that's quite another matter. I found it to be contrived and bitty. Their arguments come from nowhere and make little sense. Like petulant teenage spats. Perhaps "Paul" is playing a game to leverage his wife for a greater payment? Perhaps he just doesn't understand what makes her tick? She certainly appears to have little idea what makes him, and I found there to be very little on screen chemistry between them - even when the scenes were a bit more intimate. What's also a bit unhelpful is the Georges Delerue score. It's lovely and rich, of course, but Godard turns it on and off like a tap. It's like a musical interlude between the increasingly frustrating scenes that repeats the refrains then stops for the dialogue. Almost like an orchestrated jingle! Fritz Lang steals his scenes - basically because he comes across easily as the most natural of these characters, and Palance is - as usual - as wooden as a plank. There are a few funny moments, but sadly just not enough to keep this entertaining for me. I am glad I have seen it, but I doubt I would bother again.
When a man mysteriously vanishes on his ship in the Caribbean, his two brothers journey there to investigate his disappearance.
Nicolae (George Motoi), the intelectual descendant of Moromete family, former communist apparatchik in the 50s, becomes a horticultor due to a political error, and refuses to have any social life, even if he is unhappy with his inactivity. The death of his partner makes him respond to the overtures of his old comrades. Based on the eponymous novel by Marin Preda.
A young tofu maker, Eikichi comes from Kyoto to open a tofu shop in a friendly neighborhood. He meets there a feisty local girl Ofumi who befriends him as he sets up his shop, Kyo-ya and in spite of the difficulties stemming from cultural differences between the two ancient capitals including the favored taste of tofu itself, they eventually marry and become the owner of a tofu shop on a more respectable street. Behind the rock-solid business of Kyo-ya, their son, Eitaro bears the brunt of other tofu shops' animosity toward Kyo-ya's refusal to comply with Edo's way of running business and starts to frequent a gambling hall run by the mysterious "Boss", which throws the family into a critical situation that threaten to pull them apart...
Ebenezer Scrooge malcontentedly shuffles through life as a cruel, miserly businessman; until he is visited by three spirits on Christmas Eve who show him how his unhappy childhood and adult behavior has left him a selfish, lonely old man.
Return to the forest and join Bambi as he reunites with his father, The Great Prince, who must now raise the young fawn on his own. But in the adventure of a lifetime, the proud parent discovers there is much he can learn from his spirited young son.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
Set in 1982 in the suburb of Blackeberg, Stockholm, twelve-year-old Oskar is a lonely outsider, bullied at school by his classmates; at home, Oskar dreams of revenge against a trio of bullies. He befriends his twelve-year-old, next-door neighbor Eli, who only appears at night in the snow-covered playground outside their building.
On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.
Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.
Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.
A college freshman returns to Los Angeles for Christmas at his ex-girlfriend's request, but discovers that his former best friend has an out-of-control drug habit.