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Football Focus - (Apr 20th)
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Penn and Teller- Fool Us - (Apr 20th)
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Gardeners World - (Apr 20th)
Alex Wagner Tonight - (Apr 20th)
Michael Portillos Long Weekends - (Apr 20th)
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Mysteries of the Abandoned- Hidden America - (Apr 20th)
**When an assassin becomes a target!** It was not bad, but the same old stuff that we'd seen in so many other films. It was actually based on the book and directed by the 'Taken' filmmaker. An international project, takes place in three different countries, but opens and ends in Congo. It centres on an assassin who had successfully executed a high-profile job in Africa. But a few years later, after giving up those kind of work, all the sudden it comes back to haunt him when some unknown men comes looking for him. So he decides to find who's behind it and why. Even though it is a familiar theme, very much enjoyable. But the problem is the hero remains unhurt and somebody else dies for him which so cliché. The acting was good, and obviously that is Sean Penn in the lead. The action sequences were okay, but the pace of the film was the reason for me to sit on-board for over 100 minutes. So if you are not expecting a good story and the stunts, it will do okay, particularly for the time pass. Yes, it had a chance to become a better film, but I think it wanted to replicate the book which is a couple of decades old and in the meantime pieces from it was used in the different films, hence this one looked so old. The critics did not like it, but it is much better than they say, as well as not good as some people claim. _6.5/10_
Sean Penn really should have thought twice before engaging with this derivative and procedural drama. He is sharp-shooter "Terrier" whose accuracy put paid to the Congolese Minister for Mines and sets in train a remarkably lacklustre thriller that sees Interpol and corporate greed now out to get him. Pierre Morel has assembled a surprisingly notable cast here with Javier Bardem probably the best of the bunch as the duplicitous "Felix"; Idris Elba ("Barnes") appears sparingly and adds little - though not as little as the terrible effort from the completely un-menacing Ray Winstone's "Stanley" - who ought to have just stuck with looking for waterfalls. The dialogue borders on the puerile and the acting is so ploddingly set-piece that even the shoot-outs and jungle scenarios cannot breathe life into this. I haven't read Jean-Patrick Manchette's original novel, but if this adaptation is in any way true to the book, then I won't be bothering.
An estranged man deemed to be a beast vows to break free from the evil world and transform himself for his foster daughter.
After a meet-cute in a bar, Dawn and Micah's road trip to Portland turns into a nightmare when they're hunted by an infamous serial killer known as the Mechanic Maniac.
Treasure hunters from around the world race to Mexico after a Middle Eastern luxury yacht explodes, sending a Shah's fortune and mysterious document to the bottom of the ocean.
A vicious gang war for drug dominance draws in a disturbed Special Forces veteran John Bradley. Trying to adjust to normal life and haunted by inner demons of a violent past, the underworld's retribution on his last connection to humanity, a daughter and grandchild leads to a descent of fury and violence that not even the brutality of gangland is prepared for.
Jimmy McGovern's depiction of the mid 90s Liverpool dockers strike. Featuring script contributions from Irvine Welsh and the real dockers themselves
Scott is a US Marine who travels Spain to see his sister Kim, after many years of separation. But she is dead, and there is nothing else to arrive him. Alone in the Madrid's streets, Scott will search for the killers, will try to reveal the reason of the murder of his dear sister, and for revenge for himself.
Returning to Saint Petersburg after a long exile, the dashing Yakovlev, a retired army officer, makes a comfortable living by winning other people's duels. An enigmatic, focused, and extremely skilled professional, he leaves a trail of dead bodies behind him as he swirls through polite society, frequently called upon to wield a pistol as a surrogate in duels at dawn. But when Yakovlev meets the naïve young Prince Tuchov and his beautiful sister, Princess Martha, the normally cold-hearted mercenary is surprised by hitherto undetected emotions. What transpires uncovers a series of revelations about his past and his present self.
Marc, in his 40s, is a professor of literature at the University of Lausanne. Still a bachelor — and still living with his sister Marianne in a huge, isolated chalet that they inherited when they were very young — he carries on one love affair after another with his students. Winter has almost ended when one of his most brilliant students, Barbara, suddenly disappears. Two days later, Marc meets Barbara’s mother, Anna, who wants to find out more about her vanished daughter.
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
A gang of cold-blooded outlaws narrowly escapes a blood-soaked bank robbery in a grimy frontier town. With a notorious bounty hunter hot on their trail, these nefarious criminals desperately need a place to hide out before night falls. Fate brings them to the home of the Tildons, a seemingly innocent family with two feisty daughters. As the men settle in, an impetuous game of cat and mouse plays out during the cold, black night. Come morning, nothing will ever be the same.