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Corridor of Mirrors (1948) Even in my sleep he would be there watching me from the corridor of mirrors. Corridor of Mirrors is directed by Terence Young and adapted to screenplay by Rudolph Cartier and Edna Romney from the novel written by Chris Massie. It stars Eric Portman, Edana Romney, Joan Maude, Barbara Mullen, Alan Wheatley, Hugh Sinclair and Bruce Belfrage. Music is by Georges Auric and cinematography by Andre Thomas. A woman travels from Wales to Madame Tussauds in London for a rendezvous with her lover. The rest will be told in flashback… Laughter had a strange effect on him… Corridor of Mirrors is a hypnotic and nightmarish experience, not in that scared to death kind of way, but in a nightmare where nothing allows you to be comfortable, keeping you in a realm of purgatory, what is real – imagined – or otherwise? The crux of the story concerns a man, Paul Mangin (Portman), who lives in the past and is obsessed with Mifanwy Conway (Romney), who not only looks like the portrait of a lady that hangs in the Mangin palace, but on Mangin’s insistence was his lover centuries in the past. Would you care to continue the adventure? What follows during the course of the story are subjects ranging from reincarnation, obsessive madness, fetish kinks, seduction, fantasist leanings and murder. To passionate romance, heartfelt regret and soul cleansing. The unusual story, unique maybe? Enjoys toying with audience expectations, even taking famous literary inspirations and fusing them into this Baroque world, with seasoning of the macabre for added spice. As the Mangin/Conway relationship develops, the tension becomes palpable, fear and trepidation vie for control over wistful yearnings. What will win out in the end? What’s behind the curtain? The look, sound and feel on offer here is quite simply magnificent. This is Gothic noir nirvana. Young and Thomas shoot the film in what I think is an average of 99% shadows and low lights, it’s the darkness in daylight effect as shards of light struggle to pierce the gloom through the Venetian blind slats. Candlelight, Scotch mist, moonbeams, canted angles and otherwise all play their atmospheric part, and then there is the backdrop and props… The Mangin palace is vast in its opulence, complete with the titular corridor of mirrors. Behind each mirror is something that links Mangin’s obsession with the past, it is eeriness personified. Mannequins, wax work figures and dolls feature prominently, the Tussauds connection is the Chamber of Horrors, naturally. Spooky harp, spooky housekeeper (again, naturally), and Auric’s musical score is a blend of the sinister with poetic whimsy. And the crowning sequence is a Venetian costume ball, a decadent soirée that looks magnificent, but craftily it asks just what is beneath the costume façade of it all? It’s a little too bonkers and creaky in plot development at times, but it knows this and embraces the short comings to keep with the unstable off-kilter vibe. Unfortunately it’s a difficult film to track down in good quality home format form, but if you can find a reliable source and you love Gothic noir or Baroque fantasies, then this is for you. 8/10
Even in my sleep he would be there watching me from the corridor of mirrors. Corridor of Mirrors is directed by Terence Young and adapted to screenplay by Rudolph Cartier and Edna Romney from the novel written by Chris Massie. It stars Eric Portman, Edana Romney, Joan Maude, Barbara Mullen, Alan Wheatley, Hugh Sinclair and Bruce Belfrage. Music is by Georges Auric and cinematography by Andre Thomas. A woman travels from Wales to Madame Tussauds in London for a rendezvous with her lover. The rest will be told in flashback… Laughter had a strange effect on him… Corridor of Mirrors is a hypnotic and nightmarish experience, not in that scared to death kind of way, but in a nightmare where nothing allows you to be comfortable, keeping you in a realm of purgatory, what is real – imagined – or otherwise? The crux of the story concerns a man, Paul Mangin (Portman), who lives in the past and is obsessed with Mifanwy Conway (Romney), who not only looks like the portrait of a lady that hangs in the Mangin palace, but on Mangin’s insistence was his lover centuries in the past. Would you care to continue the adventure? What follows during the course of the story are subjects ranging from reincarnation, obsessive madness, fetish kinks, seduction, fantasist leanings and murder. To passionate romance, heartfelt regret and soul cleansing. The unusual story, unique maybe? Enjoys toying with audience expectations, even taking famous literary inspirations and fusing them into this Baroque world, with seasoning of the macabre for added spice. As the Mangin/Conway relationship develops, the tension becomes palpable, fear and trepidation vie for control over wistful yearnings. What will win out in the end? What’s behind the curtain? The look, sound and feel on offer here is quite simply magnificent. This is Gothic noir nirvana. Young and Thomas shoot the film in what I think is an average of 99% shadows and low lights, it’s the darkness in daylight effect as shards of light struggle to pierce the gloom through the Venetian blind slats. Candlelight, Scotch mist, moonbeams, canted angles and otherwise all play their atmospheric part, and then there is the backdrop and props… The Mangin palace is vast in its opulence, complete with the titular corridor of mirrors. Behind each mirror is something that links Mangin’s obsession with the past, it is eeriness personified. Mannequins, wax work figures and dolls feature prominently, the Tussauds connection is the Chamber of Horrors, naturally. Spooky harp, spooky housekeeper (again, naturally), and Auric’s musical score is a blend of the sinister with poetic whimsy. And the crowning sequence is a Venetian costume ball, a decadent soirée that looks magnificent, but craftily it asks just what is beneath the costume façade of it all? It’s a little too bonkers and creaky in plot development at times, but it knows this and embraces the short comings to keep with the unstable off-kilter vibe. Unfortunately it’s a difficult film to track down in good quality home format form, but if you can find a reliable source and you love Gothic noir or Baroque fantasies, then this is for you. 8/10
This is an eerily effective drama from Terence Young. It all centres around Eric Portman's characterisation of "Mangin". An enigmatic man who arranges to meet the young "Mifanwy" (Edana Romney) who bears a striking resemblance to a woman whose portrait hangs on a wall in his home; a woman he claims to have loved centuries earlier. Could this be possible? What makes this interesting - despite the really quite static acting performances - is the way the story develops. It's quirky. It's darkly menacing - but not in a frightening may, more a sinister and grisly theme that allows us to speculate about what did - or didn't - happen, walking a thin line between history, fantasy and sanity before an ending that left me feeling rather sorry for just about everyone. The photography lends loads to the almost claustrophobic imagery; it's almost as if it were lit by candlelight, with very few fully illuminated scenes. The drawback is the acting, though - neither Portman nor Romney quite delivered as well as I would have liked, and the dialogue is wordy which does drag it down a bit at times. That said, it's a creepy and enjoyable mystery that rarely sees the light of day now, and is certainly worth a watch. Mr. Young's directorial debut, too.
A short artist film that explores femininity and sexuality. SHE journeys through her life and mind in order to be reborn, and reclaim all that men have taken from her.
Ariel is a painter who finds herself stuck in a creative slump that threatens her sanity. Meanwhile, her ego takes the shape of an Astronaut, looking for something that might awaken her from this creative and psychological state
an aspiring writer and her boyfriend, a professional agitator head off to the Big Apple in search of good fortune. Unfortunately, the agitator soon finds himself in trouble with the cops. Meanwhile the writer attempts to become a Greenwich Village Bohemian type. She and her new friends are all starving for their art until a kindly gent offers them financial assistant. They refuse on principle. Tragedy pays a call when the writer learns that her boyfriend has been untrue.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
Semi-fictitious biopic of Finnish poet Eino Leino, made with a large budget to celebrate the 100th anniversary of his birth. The film concentrates on his relationships with first wife Freya Schoultz and later muse, poetess L. Onerva. His friends include equally central figures of the Finnish cultural scene in the early 1900s, such as painters Halonen and Gallén-Kallela, and composer Sibelius.
Ana had the perfect husband, the perfect children, and the perfect friend, but she wanted to turn her life around and turned everything upside down.
A Filipino fantasy/horror anthology starring Snooky Serna. In "Mga Puting Rosas ni Rosalie", Rosalie dies in a freak accident on the day of her wedding to Mike, who's only after her money. With the help of the white rose, she comes back to earth to correct what is wrong. In "Mga Pulang Rosas ni Rosanna", Rosanna is the daughter of a mausoleum caretaker who happens to be the soulmate of the mysterious heir, Ramil, the victim of a curse of Satan's disciple, Lucila. In "Mga Dilaw Rosas ni Rosario", Rosario or Osang, a maid with an ugly facade, falls in love with a man named Dio.
After the loss of a woman's baby during pregnancy, the strange arrival of a hand-drawn bird opens the mind of this young artist for a new start.
A determined artist submits his papers in what seems to be a visa office for a foreign land. After vigorous interrogation, and insistence on his part to get through, We find out that he is in fact in purgatory, and is pleading his case to go through to the afterlife, ceasing his existence on earth.
Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.