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If you take this movie for what it is, an action / science fiction movie with emphasis on fiction, then it is, in my opinion, actually not too bad. The movie starts of with the usual suspects, a bunch of political asswipes setting off to create their, equally usual, clusterfuck firing the one competent person they actually needed to run the climate control project successfully. To make matters worse the entire project are about to be turned over to “the international community” which of course is a well known recipe for disaster. Hollywood lives in their usual dream world of course so they throw in suitable, old-fashioned, bad guy with the “correct” political views for a bad guy and with an outrageous and apocalyptic plan and we are all set. Let’s ignore all that crap and focus on the movie. Once that nonsense is out of the way what is left is a fairly entertaining science fiction disaster thriller movie. The special effects are not bad and the movie moves along at a decent pace. The “raison de etre” for this movie is the action and the special effects so the story and the acting is adequate and nothing more. Unfortunately, as is all too often the case, the story writer is a bit of a low watt bulb. This satellite network that is the foundation of the movie is fairly unrealistic even for a science fiction movie. Let’s forget about the total insanity in even trying to cover the planet in a network of satellites that are actually physically connected, the feats that these satellites achieve is just so far off the realism scale that is is annoying. What the heck are powering them? Anti-matter, black holes? This could have been done much better. Then we have the self destruct sequence that is playing a large part towards the end of the movie. What kind of fucking self destruct blows up a few bits and pieces for show and then pauses so the characters can run around for half an hour or so? Either the story writer is dumb as a door nail or he thinks the audience is that dumb. Anyway, the annoying parts aside, as a science fiction and fantasy geek this was a fairly entertaining movie for me.
Today I attended a beautiful wedding where my baby sister took her vows, and started the next great chapter of her life. And then, when I got home, I inexplicably watched this piece of garbage, which might be the most subtle, yet clearly defined moment of emotional self-sabotage in my entire life. I am obviously unable to allow myself to be happy. Geostorm stars Gerard Butler as the least believable super scientist to ever exist. He looks like a drummer who is between bands and working part time as a bartender while he lives rent-free at his girlfriend's place. The plot is absurd even in the realm of sci-fi. The effects are awful, buildings topple over intact like giant building blocks, everything hot explodes, and typhoon waves deflect off of buildings and flow through the streets. Even if you couldn't guess every turn of the plot long before the movie manages to stumble toward it, the story wouldn't be any good. All of the humanity and heart is an afterthought: deadbeat dad makes his daughter a promise and has to save the world while he keeps it, weasel brother makes some hard choices to earn another chance with his family, etc. Basically, this movie is The Wandering Earth only even less entertaining.
So cheesy it's good!
Very disappointing indeed. Problem for me was that you see the trailer, you see the cover art, and as the filmmakers intended, you think it's going to be big budget, CGI, disaster film. You'd be wring. Most of that - apart from small scenes sprinkled into the movie maybe 2x - is the last 20 mins! The rest of the movie is dull, dull, dull politics and intrigue and techie crap. For me to not miss relevant scenes or dialogue whilst daydreaming during the boring mire of good actors in bad parts, THAT was a challenge in and of itself.
A jeweled Madonna, property of rancher Joe Salinas, attracts two crooks to his ranch, Monica Dell, a smooth operator, and ruthless Nick Julian. Joe believe that the statue has a miraculous power to ward off evil, and Monica, after a narrow escape from injury while trying to steal the statue, is converted to Joe's faith and refuses to go through with the robbery. Nick has no such intentions.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
Delos is a futuristic amusement park that features themed worlds—ancient Rome, Medieval times and the Old West—populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.
A young pianist is shocked when she witnesses a strange chess tournament with a robot. Could there be a gruesome secret behind this exhibition?
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
Los Angeles. A wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.