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When Jason Statham is good he is very good. In this movie I think he is very good as the silent, deadly killer for hire. It is a straightforward killer/action/thriller. The story is nothing new but it is a well working story which is nicely executed. The story is, as I wrote above, not very original. Killer for hire finds out that his next target is his mentor and friend. As the professional he is he executes the job anyway but later discoverers that not all is as is should be. Time for revenge. A simple, straightforward and well working story. Things are complicated a bit by Bishop taking his friend’s son under his wings. Of course he wants to walk in his fathers footsteps. He is inexperienced but also undisciplined. Something that, not surprisingly, is causing problems. I do like that Bishop stays a no bullshit hardass killer throughout the entire movie. No whining or silly emotional outbreaks or breakdowns. I also like the unemotional, silent and deadly impression of a professional assassin the he radiates. There are quite a few fairly well done action scenes in the movie ranging from silent assassinations to the obligatory blow things up scenes. The parts where Bishop and Steves goes after the big bad guy is quite well done with some quite cool stunts without being over the top. The ending was probably the only thing in the movie that was a bit unexpected. Unexpected in a good way that is. I quite liked the little surprise there. Overall I as well as my son liked this movie quite a lot. I hope that Mechanic: Resurrection is as good as this one.
The Mechanic is unable to fix its mechanically mundane plot. “Amat Victoria Curran - Victory Loves Preparation”. Foreshadowing words engraved on the glossy barrel of Sutherland’s powerful pistol. Euphemism aside, West presents a remake of the Bronson-led action thriller that coincidentally features no vehicle mendings. That’s because, for those of you who aren’t subjugated to criminal organisations (hopefully all of you...), “mechanic” is slang for hitman. Despite Statham being bald and able to glue a fake tattoo of a barcode on that shiny cranium for a “propa laugh!”, unfortunately West was unable to title the feature “Hitman”. And so, he grabbed a wrench and proceeded into remake territory. For what it’s worth, this is one of his more moderately tolerable features from the past decade. “Mechanic” Arthur Bishop is assigned the task of assassinating his mentor, subsequently taking his troubled son into training as a well-intentioned gesture. Naturally, Statham is slaying men in his wake with any object his eyes glisten towards, most notably a suitcase handle in this one. It’s clumsily edited, instantly forgettable and rarely hones in on the “making hits look like accidents” speciality. Expositional narration throughout, one or two plot twists that uphold no kinetic energy whatsoever and an incredible waste of Sutherland. Not to mention another “mechanic” having a weakness to young boys and small dogs. The two just don’t relate. Interestingly, the film works when it’s divulging into the life of McKenna’s self-tortured son Steve, portrayed by the enigmatic, under-appreciated and consistent Foster. A reckless individual succumbed to illegal substances and a sleazy lifestyle to suppress his negligent upbringing. Undergoing cathartic vengeance in a bid to soothe the soul. His internal suffering forces his character to be the human component in what is otherwise a mechanical action thriller, packed full of explosions and rapid gunfire. It’s a battle of professionalism between the experienced Arthur and the inexperienced Steve, making for a surprisingly well-executed duel of wits. The actual assassinations themselves were simple, although somewhat unimaginative, yet realistic. A few questionable moments, including a dumbfounded man glancing over at the tiniest of nuts (calm your mind...) that fell out of a grating, but nothing too outlandish. The utilisation of Schubert’s legendary piece Trio No. 2 in E-flat Major was revelatory, I must confess. Having said that, The Mechanic is your standard Statham affair. Powered by a sensational supporting performance but weighed down by a mundane plot. Functional if immediately forgettable.
Six strangers find themselves in circumstances beyond their control, and must use their wits to survive.
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New York police detective John Shaft arrests Walter Wade Jr. for a racially motivated slaying. But the only eyewitness disappears, and Wade jumps bail for Switzerland. Two years later Wade returns to face trial, confident his money and influence will get him acquitted - especially since he's paid a drug kingpin to kill the witness.
After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.
A packed cruise ship traveling the Atlantic is hit and overturned by a massive wave, compelling the passengers to begin a dramatic fight for their lives.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
A career criminal who has been deformed since birth is given a new face by a kindly doctor and paroled from prison. It appears that he has gone straight, but he is really planning his revenge on the man who killed his mentor and sent him to prison.
Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.