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Make a slasher movie that's about an R-rated slasher movie, then make that movie be PG-13? Solid weird ass choice. But whatever, _The Final Girls_ is some proper fun. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Amusing slasher parody with heart This is a parody of 80’s slasher flicks, especially the Friday the 13th franchise. The story revolves around five teens somehow being translated into a fictitious 1986 slasher movie called “Camp Bloodbath.” The prematurely deceased mother (Malin Akerman) of the teen heroine (Taissa Farmiga) starred in the movie and she gets to meet her again, albeit as a young woman. While this 2015 film is a throwaway flick it’s reasonably entertaining, especially if you’re familiar with slasher films. What I like best is that it has heart and you can feel the loving relationship of mother and daughter. It’s also nice to see Nina Dobrev again, who’s one of the most alluring females in the cast, although she’s outshined by curvy Angela Trimbur as airhead Tina. The movie runs 1 hour, 28 minutes and was shot in Baton Rouge, Louisiana, with some stuff done in Los Angeles. GRADE: B-
It was silly, but entertaining. And it had room for poignant moments. And personally, the outtakes were the most hilarious! And, good cast as well.
Really good watch, would watch again, and can recommend, especially for slasher fans. As soon as I saw "trapped in a movie", I was sold. I'm a big fan of survivalist situations (realistic or not), and have been waiting to find a "trapped in a movie", as opposed to "trapped in a video game" for some time now. While my expectations were a bit high, I think the cast helped even me out some. This has some highly recognizable cast for 2015: Thomas Middleditch "Silicone Valley" Malin Akerman "Watchmen" Adam Devine "Pitch Perfect" Alia Shawkat "Arrested Development" Chloe Bridges "Pretty Little Liars" Most of which I'm not actually a big fan, but Taissa Farmiga ended up carrying most of the movie anyways. Given that they're trapped in a slasher movie, we have to deal with several cliches, and SO MUCH meta discussion that is literally takes over the movie at certain point, but that is part of the survival strategies. We also get some pretty interesting death scenes, along with some that are more comedic than interesting. Surprisingly, the movie is actually both too formulaic and unique to discuss much without spoilers, so I'll just say any slasher fan that enjoys discussion about slasher movies is going to like this one.
Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.
Loving but irresponsible dad Daniel Hillard, estranged from his exasperated spouse, is crushed by a court order allowing only weekly visits with his kids. When Daniel learns his ex needs a housekeeper, he gets the job - disguised as a British nanny. Soon he becomes not only his children's best pal but the kind of parent he should have been from the start.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
Despite their social differences Luise, called Pünktchen, a girl from rich parentage befriends Anton, a boy who has to earn his own money in order to afford life for his sick mother and himself. Together they undergo different adventures, even preventing a theft in Pünktchens home
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.