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Young Sheldon - (Apr 18th)
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I recall meeting Daniel Day-Lewis some years ago, he had just stepped from his motor bike and proved to be a charming, engaging man extremely far removed from the racist and odious "Bill the Butcher" character he so expertly creates in this hard, gritty and brutal depiction of the almost tribal existences lived by many in 1860s New York. Leonardo di Caprio ("Vallon") arrives in that city's Five Points area determined to avenge the death of his father many years earlier at the hands of this ruthless overlord. Initially ingratiating himself, he soon realises that it's going to take every ounce of his courage and resilience to challenge the status quo, and that some hefty sacrifices are going to have to be made. He is not just struggling against his nemesis, but against prejudice, corruption and a prevailing, endemic, sense of fear. The supporting cast are what really makes this special - Cameron Diaz, again so far removed from her more famous roles, alongside Jim Broadbent as the shrewd, but rather cowardly "Boss Tweed"; Brendan Gleeson and John C. Reilly all contribute to this tautly directed story of lawlessness and loyalty - with a bit of Civil War conscription thrown in to add to the toxicity of it all. The last 20 minutes are really captivating, and Scorsese with some masterful scoring from Howard Shore manages to leave us feeling exhilarated and uncomfortable at the same time!
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
A deadly airborne virus finds its way into the USA and starts killing off people at an epidemic rate. Col. Sam Daniels' job is to stop the virus spreading from a small town, which must be quarantined, and to prevent an over reaction by the White House.
Following in the footsteps of the first film, "The Price of the American Dream II" continues the story of Laura Munoz who has grown considerably older and is now a single mother with four children after the death of her husband Chendo. As a result, Laura moves her family from Los Angeles, California to Albuquerque, New Mexico in hopes of gaining a better life for herself and for her children Manny, Alexendra, Daniel, and Carlos. However, life proves to be just as hard in a new state when Manny and Alex begin hanging out with the wrong crowd including the fact that Carlos is now constantly getting in trouble at school and Daniel is even trapped in the middle of it. It seems the price of the American dream has only risen higher since Laura first found it.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
A Hungarian immigrant, his friend, and his cousin go on an unpredictable adventure across America.
Two trouble-causing brothers, who in the second generation after World War II Germany live, are in the center of this German made for TV movie. The movie makes a subject out of their everyday lives and the helpless attempt for them to build a normal life.
A botched robbery indicates a police informant, and the pressure mounts in the aftermath at a warehouse. Crime begets violence as the survivors - veteran Mr. White, newcomer Mr. Orange, psychopathic parolee Mr. Blonde, bickering weasel Mr. Pink and Nice Guy Eddie - unravel.
A packed cruise ship traveling the Atlantic is hit and overturned by a massive wave, compelling the passengers to begin a dramatic fight for their lives.
The Polish film based on the book of the same name by Władysław Reymont. Taking place in the nineteenth century town of Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion shown through the eyes of one Polish town.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio "Tony" Camonte, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.