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The 11th Hour with Stephanie Ruhle - (Apr 25th)
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Survivor - (Apr 25th)
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American Horror Story - (Apr 25th)
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_The Bad Batch_ ticked so many of my aesthetic boxes going in, that I didn't see any possible way that I could hate it. And I didn't, but it does make me worry, that if someone like me could come out of _The Bad Batch_ just "liking" it, then how will a more general audience respond? My assumption is that it's probably not favourably. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I liked the look of this film. It reminded a lot of Fallout 4, especially the two major settlements could be made into settlements in the game easily, and the special effects were amazing. What I didn't like was the story, as it confused the hell out of me. I couldn't understand the motivations of the main character, or really any other character in the movie as they really gave no reasons for anything they did nor could those motivations be inferred, and the lack of dialogue meant no one asked why about anything. Or if anyone questioned anything, the best answer you get is thats just the way it is. I could accept that if what it was made any sense, and most of the time it didn't. I'm going with a bold idea that was mishandled. Final rating:★½ - Style over substance.
**In the land of savages!** The overall concept was good, but I did not like the initiation. I don't like any film of cannibalism. I don't know why such films are made. What's the point! Definitely not entertainment or art. It could only encourage such savage culture. So I thought I made a mistake picking it to watch. Except the opening, the rest of the film was different. Then ended as a just below average product. In a near future, where all the criminals, illegal immigrants are dumped in a waste desert land. So they have made their own system, divided by two. One the savages and the other is kind of civilised, but not without flaws. A new arrival who experience from both the end, had to decide where she belongs when a series of bad events had taken place. Here comes another film from a woman director. Her previous film was one of the worst in the history of filmdom. And again this is not her best work either. Though I liked the cast. They all performed well, particularly Jim Carrey. Yes, I did not recognise him at first. Then there's Keanu Reeves. But Waterhouse was good. I wish her a good future. Generally not recommended, but then it's your choice! _5/10_
My ten word review: _Just your average beautiful looking but utterly non-sensical indie film._ Click here for a video version of this review: https://youtu.be/IpZ5m4fbq1E
More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
The whole family is reunited when Sofia comes back for his father's funeral. Quickly, inner problems are revealed.
Based on real events, and set in Rio de Janeiro, A Wolf at the Door is the nerve-rattling tale of a kidnapped child and the terror of the parents left behind. When Sylvia discovers her six-year-old daughter has been picked up at school by an unknown woman, police summon her husband, Bernardo, to the station for questioning. From that point on, the film takes increasingly sinister turns as it delves into the events that led to the girl’s kidnapping. With plot twists that will keep the audience on the edge of their seats, A Wolf at the Door is a darkly disturbing journey into the extreme limits of the human capacity for obsession and revenge.
A nine-year-old boy’s preening obsession with straightening his hair elicits a tidal wave of homophobic panic in his hard-working mother, in this tender but clear-eyed coming-of-age tale.
The debut feature from Franco-Senegalese filmmaker Dyana Gaye charts the interconnected destinies of three far-flung sojourners across three continents. A quiet drama, about the anxieties of negotiating journeying to foreign countries and making a place for oneself in the world.
1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
The crew of the Federation starship Enterprise is called to Nimbus III, the Planet of Intergalactic Peace. They are to negotiate in a case of kidnapping only to find out that the kidnapper is a relative of Spock. This man is possessed by his life long search for the planet Sha Ka Ree which is supposed to be the source of all life. Together they begin to search for this mysterious planet.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
A young transgender man explores his gender identity and searches for love in rural Nebraska.