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Temple Grandin (Claire Danes) is just out of high school and sent to her Aunt Ann's (Catherine O'Hara, fitting into dramatic character roles very nicely) Arizona ranch. Her initial reaction to the climate and awkward way of behaving shows us that she has Asperger's Syndrome and/or autism. Asperger's is a milder form of autism, where the subject has better communication skills like speech, but is still unable to connect with our view of normal behavior. Temple grows to love the ranch, working with the animals and inventing an automatic gate that can be opened with the pull of a brass rod. She is very smart and detail-oriented, but must go to college. Temple's mother Eustacia (Julia Ormond, also maturing nicely into character roles) has been dealing with Temple's outbursts all of her life, and knows what it takes to calm Temple down. Unfortunately, college life is tough for Temple, who builds a machine that calms her but horrifies other students (it's a version of a cattle hold). Temple is thrown into this collegiate setting in the days before special services, yet she manages to make it through, and goes on to get her master's degree in animal husbandry back in Arizona. Again, Temple runs into obstacles- in the form of the cattlemen who don't want her around studying such silliness as what the cows' mooing mean- plus she is a woman, and they just aren't allowed. Temple designs and implements a new way to send cattle through a medicinal dip that is more humane to them, and then goes about rethinking the way cattle are slaughtered. Temple feels that animals were put on this earth for the service of man, but there is no reason we cannot be kind to them as part of their use as food and other products, and it makes good business sense. Temple is headstrong, but she does not see the world like you and I do. She sees everything as a picture, and takes puns and jokes literally. When she hears the term "animal husbandry," her mind calls up a person marrying an animal, and so on. Death is a foreign concept, too, for both animals and humans. When a major character dies, she wonders where they went, and doesn't understand saying goodbye to them at a funeral, since she just told them goodbye when she saw them last. Somehow, Grandin went on to write for technical ranching journals, before becoming an autistic advocate, and the screenplay is based on two books- both of which she authored. Mick Jackson's direction is fantastic. Using special effects appropriately, he shows the viewer how Grandin is able to picture things in her mind. These scenes are a great learning experience without overwhelming the screen with technical wizardry, and tell us that autistics are not mentally deficient; they are different, not less (a line from Temple's mother). While the screenplay jumps back and forth in time too often (college, and then boarding high school?), it does not lose its focus on Grandin. While the supporting cast gets to use their onscreen time, the film has one central character who is fascinating enough to watch without any melodramatic gristle to get in the way. O'Hara is great as Aunt Ann, who knows her niece so well. Her reassuring phone calls and scenes with Temple's worried mom are well-played. Ormond is phenomenal as Temple's mother. I could completely associate with her, watching her offspring doing something strange, and blaming themselves for their child's condition. Eustacia is no screaming battleaxe, telling everyone where to stick their assorted diagnoses. She has the patience of a saint, deciding to teach Temple to speak with flash cards, and hesitantly accepting that her child is not able to show love and affection. David Strathairn is also wonderful as Temple's science professor at the boarding school, recognizing that Temple is brilliant if the coursework is changed to fit her learning style. Claire Danes is a revelation. She has been simply good in "Romeo + Juliet" and the third "Terminator" film, but her googly-eyed emoting in the overrated "My So-Called Life" drove me batty. I have seen interviews with the real Temple Grandin, and Danes doesn't just do a good job, or master some observed mannerisms, she becomes Temple Grandin. She nails it from the very first scene, and consistently got it right. The viewer doesn't need someone to come out and explain every one of Temple's quirks; her fear of automatic doors and lashing out physically when she feels threatened are all embodied by Danes. She is so good, I forgot I was watching a performance. This is one of the best pieces of acting I have ever seen, and I have been reviewing films in one way or another since elementary school. I loved "Temple Grandin." I could associate with it thanks to a family situation, but many more can find inspiration here. Not only will Temple's story inspire autistics and their families, this work might demonstrate to emerging artists what a powerful medium film can be.
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl's fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother - which only fed Florence's need to stay in the spotlight.
The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.
Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
Three cinephile university students have a go at making their own Super-8 film.
Actress Mia Farrow's personal life takes a turn for the worse when she engages in a long relationship with Woody Allen.
On March 2, 1955, like every day, Claudette Colvin, a 15-year-old black girl from Alabama, bought her ticket at the front of the bus, but had to get on the back. If the front is reserved for White, when they have no more room, Black must give up theirs, to the rear. It's the law. But that day, the teenager refuses to give way to a White. Claudette Colvin says no. Arrested, she pleaded not guilty and sued the city, a first. However, we will not make an example of it. We will wait for Rosa Parks, a lighter-skinned seamstress, who, nine months after Claudette, will make the same gesture, soon supported by the young Martin Luther King. History is on the move. Claudette Colvin allowed everything, but she is the one we have forgotten.
A chronicle of the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.
In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self-confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali's personal and professional lives face the ultimate test.
Thomas is turning 16. His dad's in the army and they've just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who's autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother's keeper, or is Charlie's disability going to prove more than Thomas can handle?