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Well, it's so inaccurate that you can tell from the start that it is going for statement over biopic. And it almost seems like it should be titled "The Unstoppable RBG" as she comes across as right all the time, faultless, stronger, smarter and more capable than anyone to the point where she can argue a case, preform brain surgery, and create the rocket that got us to the moon, in a single night without breaking a sweat. She's more perfect here than Mary Poppins and it makes the film sort of unbelievable. Ginsburg is human, I'm sure she had to struggle to over come more than just the evil White Male patriarchy, but even that she effortlessly dismantles. Halfway through the movie you expect her to wear a cape and fly away, just to prove she can out super Superman as well. In a Biopic you kind of expect to get to know the character, to see their ups and downs. Instead, however, what you get is a golden god with history rewritten to add a healthy polish.
Michael Landon Jr. directs this biographical story of his television star father, 'Michael Landon' (John Schneider). The film deals with the scarring that Michael Jr. felt after his parents divorce when he was 15 and looks at his father's philandering ways. Michael Jr. is the son of Landon's second wife 'Lynn Noe'), who was deserted when Landon took up with a make-up artist on the set of Little House on the Prairie (1974).
Keisuke Kinoshita sits easily alongside Ozu, Kurosawa and Naruse as one of Japan’s most respected legends of cinema. Made to commemorate the centenary of Kinoshita’s birth, this biographical drama chronicles formative hardships and personal encounters to provide a rare glimpse into the life of one of Japan’s most acclaimed screen directors. Includes archival footage from 49 of the films he produced during his career at Shochiku.
The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.
Jenny is hit in the head by a soccer ball. When she comes to, the clock has turned back exactly 32 years! It is June 21, 1974, the year of the football World Cup, one day before the football match between the Federal Republic of Germany and the GDR. Jenny experiences two turbulent days at the side of her future parents - in both parts of Germany.
On the night of their tenth anniversary, corporate lawyer Michael Barnes' wife is brutally murdered. Labelled the prime suspect by Detectives Jack Burns and Amy Cobb, Barnes must try to clear his name before it's too late... Along the way, Barnes' closest friends begin to show their true colors, and with no one left to trust, he finds himself with nothing to lose as he's faced with the toughest decision of his life.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
A real estate agent is shot while trying to sell a rural farm and tries to bring the shooter to justice.
The story of an old Jewish widow named Daisy Werthan and her relationship with her black chauffeur, Hoke. From an initial mere work relationship grew in 25 years a strong friendship between the two very different characters, in a time when those types of relationships were shunned.