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**_Burt Lancaster as a French Resistance fighter trying to stop a German train with stolen art_** Paris is on the verge of liberation from Nazi occupation in 1944, so a German colonel (Paul Scofield) loads a train with a priceless cargo of French paintings to take to Germany, which Resistance fighters led by engineer Labiche (Burt Lancaster) are intent on stopping. Jeanne Moreau is on hand as a hotel owner. “The Train” (1964) is a B&W war picture with the unconventional tone of contemporaneous WW2 films “The Young Lions” (1958), “36 Hours” (1964) and “Morituri” (1965). The story starts slow, but becomes increasingly compelling with lots of non-CGI carnage involving tracks and trains. The last act is creative and leaves you with the question: How many lives is art worth? Lovers of steam locomotives should eat this up. The film runs 2 hours, 12 minutes and was shot in France. GRADE: B
Great war suspense-thriller from John Frankenheimer. Heard of this one but never got around to checking it out, just excellent from beginning to end, not to mention wonderful use of sound design along with Maurice Jarre's score. Performances all around were great, especially Paul Scofield. Surprising to see it didn't receive more Oscar love outside of the writing. **4.5/5**
I think this might be my favourite Burt Lancaster role, as he leads the French resistance through an ethical maelstrom involving a trainload of looted artworks. It's "Col. Von Waldheim" (Paul Scofield) who manages to coax and cajole his Göring-fearing superiors into allowing him to load up a train with priceless artefacts and convey them to safety in Germany. The Nazis are starting to lose the war, though, and their logistics are stretched to the point where he basically has to lie to get his train packed and moving. "Labiche" (Lancaster) is in charge of the railway station and is generally charged with thwarting the activities of their occupiers - be here he sees merit in letting this train depart. He decides that maybe it can be diverted away from Germany and thus be preserved for the posterity of the French people. "Papa Boule" (Michel Simon) is a curmudgeonly old driver not averse to a bit of sabotage, but when he is caught and summarily shot, the Colonel concludes that only "Labiche" can be trusted with the train, so he is co-opted on board and the two now play a delicate cat and mouse game with both scrutinising the other closely and neither trusting the other. Their journey is riddled with peril - from the allies, from the French, the Germans - just about everyone. The colonel is becoming more obsessed - everything will be sacrificed to protect the convoy as it rattles along - but to where? There's a nice cameo from the always reliable Jacques Marin - he likes cheese; and another from Jeanne Moreau as the guest house owner who is trying to tread on the eggshells between patriotism and survival. There's a great chemistry on screen between Lancaster and Scofield with the latter's almost maniacal behaviour captivating to watch. Will the train survive? Well I guess everyone wants it to - but...
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
A murder in Paris’ Louvre Museum and cryptic clues in some of Leonardo da Vinci’s most famous paintings lead to the discovery of a religious mystery. For 2,000 years a secret society closely guards information that — should it come to light — could rock the very foundations of Christianity.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.