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The Discovery poses a very interesting question. If life after death was scientifically proven, would this knowledge cause a massive wave of suicides? Oh, wait; did I say “interesting”? Actually, I meant “stupid.” Dr. Thomas Harbor (Robert Redford) claims to have discovered, in Hamlet's words, "the undiscovered country." Six months later, “the number of suicides has quickly reached one million.” They say curiosity killed the cat, but even a cat has more common sense than this. It’s impossible to take The Discovery seriously for the simple reason that millions and millions of people have believed and continue to do so in some kind of afterlife, and none of them save the most deranged and disturbed are in any hurry to cross over to the other side. What's more, these believers have no regard for scientific proof – if they did, they wouldn’t be believers at all –; to them, it all comes down to faith, which is the basis for all religions. By the same token, most religions have laws against suicide; oh, those who take their own lives do go somewhere, but it’s not a place anyone is looking forward to spending the rest of eternity at. Of course, it’s possible that the afterlife Dr. Redford has discovered is not governed according to the tenets of any one theology – but then its true nature is never specified, so who’s to say that all these idiots offing themselves aren’t punching a one-way ticket straight to hell (or worse)? One thing’s for sure, though, and it’s that these suicidal maniacs are too dumb to live anyway. All of Redford’s considerable gravitas can’t keep the good doctor from coming across as a quack, whose explanation for the afterlife sounds, accordingly, as a crock of pseudoscientific drivel. The makers of this movie undoubtedly have a low opinion of the same masses one assumes they expected to lure into watching this dreck, if they truly believe so many of us would so carelessly engage in an experiment that is tantamount to jumping into a pool that may or may not have any water in it.
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
Irresponsible party girl, Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer, Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.
A naive business graduate is installed as president of a manufacturing company as part of a stock scam.
In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.
Teenagers living in small-town Oregon take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they're forced to deal with the unexpected consequences of their actions.
The towns of Gschaid and Millsdorf are in a constant state of feuding with each other. Nevertheless Gschaid's Sebastian and Millsdorf's Susanne are married. In her husband's town Susanne has to put up with daily harassment by the locals, which also extends to her two children. Finally she moves back to her parents, alone. When the children, who long to find a magical crystal they believe has the power to reunite the family, get lost in a howling blizzard on the exposed mountain after bringing their mother her Christmas presents, both towns set up rescue missions.
A young photographer Thun and his girlfriend Jane discover mysterious shadows in their photographs after fleeing the scene of an accident. As they investigate the phenomenon, they find other photographs contain similar supernatural images, that Thun's best friends are being haunted as well, and Jane discovers that her boyfriend has not told her everything. It soon becomes clear that you can not escape your past.
An odd-but-gifted poet, Evan Merck makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte, the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.