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**As a thematic where expressions matter the film failed to express!** I agree that this film was not good. Not because of bad writing, animation, voice rendered, but the timing of the film coming out mattered. If this same film was released before 'Wreck it Ralf', 'The Lego Movie', 'Pixels', 'Inside Out', then people might have liked it. But now, it is like Sony desperately wanted their version of toys and/or games related film, so they made it. That's how it looks like. Despite all the criticism, the film minted good sum. So it is not a box office flop, only devalued honestly by those who saw it. Those titles I mentioned and this story has the same storyline. Basically, that's very common platform where 80 per cent of the films borrow from. The scenes looked very ordinary, like there's nothing much to explore. The jokes were weaker, the characters were uninteresting in most of the parts. I would say they did not utilise them rightly. The good thing is, it is a watchable film, but the majority won't like it. Usually Sony animations were met with underwhelmingly, and seeing the response it had got, surely there will be no sequel, at least for now. **3/10**
Excruciatingly bad. It's proper rubbish. Based on the reputation of this, I knew it was going to be utter tripe. I always wait to watch myself to form my own opinion, but there is no doubt about it - 'The Emoji Movie' is truly awful. It's such a lazy attempt, there is absolutely no creativity and there doesn't seem to have been that much care put into this. How about that product placement, also?! I will say I do like the idea, you could probably create a fine film with it. However, man did they get the execution incredibly wrong. That's also not good given the cast performances, all of which are quite pathetic. In fairness, they don't exactly get much to work with. I'm someone who likes James Corden, but he is terrible here. As is T.J. Miller, while Anna Faris and Maya Rudolph are forgettable. I was disappointed (sorta) not to see more of Patrick Stewart's character, given how much I've heard in recent years; he's barely in it. It's a painful watch, even with a run time of just 86 minutes.
In spite of this somehow being a movie, the animation and sound was good with enough subtle references to keep adults entertained, while also being fun and bright enough to hold the attention of my kids.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. The fairy godmother discovers that Shrek has married Fiona instead of her Son Prince Charming and sets about destroying their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.
