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Not even the voice acting could save this movie. Check out my full review here. http://www.hweird1reviews.com/allreviews/the-killing-joke-movie-review
Shares the few weaknesses of the short comic it is based on, but adds a bunch of its own new weaknesses to try and get it up to a theatrical runtime and justify its cinema release. I think part of the reason the reception for _The Killing Joke_ has been so overwhelmingly negative is that the expectations were so high going in. But that wasn't without cause. It sees the long awaited return of both Kevin Conroy and Mark Hamill to their famed DC roles, and the comic it's based on is widely regarded as one of the better stories ever published by the company. And of these lofty expectations, _The Killing Joke_ falls short. Hamill is great, and Kevin Conroy usually is as well. There are a couple of occasions that the latter slipped though. I don't know if he's rusty or just didn't care, but his voice performance is not 100%. The story essentially meets that of its source material, but rather than expand the existing story, they chose to awkwardly force an entirely different one in beforehand, to the point that this is essentially two episodes of two different shows, rather than a single cohesive movie. _The Killing Joke_ is a little gross and is not the return to form for DC Animation that we all had hoped it would be, but the final sequence is fantastic and I don't know that the movie overall deserves quite as much vitriol as it has had. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The first 30 minutes was wasted with Barbara being so annoying! I just didn't see why that whole bit was thrown in when the movie itself is meant to center on the Joker. Even with Mark Hamill's final bow out as the iconic villain couldn't save the film. Still, at least that joke at the end was a little amusing! Other than that, they could've done better with the story.
OK, so I'll admit I was expecting something closer to the graphic novel, and I was pretty disappointed that it only really loosely followed something that was epicly brilliant as the comic. However, I'm not a stickler for total accuracy. And, really it is better than most of the other Batman movies, it does manage to tell a good story and reveal some of the Joker's ever-changing and never consistent backstory, even if it does gloss over a lot of it. In the end, especially in this current era it's a reminder of how great comic books used to be and how great they could be again if they only started telling actual stories once more.
Studying music at a remote island academy, poor Mayumi (Aki Hoshino) and her classmates fall victim once more to erotic tortures at the hands of their corrupting instructors. Just in time, Kekko Kamen (Misaki Mori) takes center stage with a red mask on her head, nunchakus in her hands, and a song in her heart!
Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.
This film is a tribute to a humiliated and destroyed nation. "As Long as the Grass Grows" is an alternative, ancient and humble creation story, where man is not the crown of the creation, but the weakest of all creatures. The film takes us back to the beginning of time, where Old Man begins to create the world out of a handful of mud. Everything he creates is new and nameless, and affects the rest of the world. Even feelings and desires are unknown and when they emerge, the world becomes more and more complicated.
In a dysfunctional family where the mother is a heroin addict and prostitute, beaten by her son, and the father is an ex-TV reporter, sleeping with his daughter and filming his son being beaten up, ‘Q’, a complete stranger enters the bizarre family, changing their lives for the better, finding a balance in their disturbing natures.
In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.