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How do you introduce an incestuous romantic comedy, an action thriller with a twist, a ghost comedy, and a tale within a tale? Aviyal answers it with Shameer Sultan's wacky prelude that has an actor talking. It is only when it ends that we realise that he has been preparing us for what is to follow. Sruthi Bedam has a storyline that if attempted in a mainstream film today will have one organisation or the other protesting. A young man is attracted to the guest who has come to his home. She is a looker and is only a year older to him, though there is a hitch — she is his chithi (aunt)! Director Mohit Mehra treats this Balachander-ish plot as a comedy. There is a friend character, who advices the hero how wooing the woman is wrong even as he subtly eggs on the smitten guy with voyeuristic delight. The way Mehra keeps us guessing about the motives of woman adds to the suspense. In Lokesh Kanakaraj's Kalam, a filmmaker and his friends go after a pickpocket and his cronies, who have stolen from them a CD and pen drive containing their short film. What starts off as a low-key thriller turns into an action film (with the action being choreographed against an Aiyappa song!). There is a twist as well, and it is pulled off commendably. Two friends go on a trip to Rameswaram with the ashes of their dead friend. That is the premise of Kanneer Anjali, which is somewhat a rambling film, with hot-or-miss humour. The tale takes a turn when the duo (or, should we say trio?) gets acquainted with a drug smuggler en route, but Guru Smaran's film lacks the tautness of the other films. The acting, too, feels amateurish. But the anthology ends on a high with Alphonse Putharen's Eli, which seems to have been made prior to his Neram days. Bobby Simhaa and Nivin Pauly play the leads here as well, and even their appearances are similar to what was in that film. A gangster narrates a story and we get the actions that happen in both these stories, interrupted often by the noise from a (unseen) couple's lovemaking. It is visually splendid and shows why Putharen has come to be one of the most exciting filmmakers today. Plot-wise, the shorts in Aviyal are streets ahead of those that formed the first edition, Bench Talkies. They are daring, wacky and fresh. A couple of these films even manage to transcend the made-for-TV visual style of shorts. It will be interesting to see what Karthik Subbaraj (who is one the project's backers) and co serve us next.
Twisted horror segments intertwined with cute, fluffy, family-friendly hamster videos. The filmmakers were so preoccupied with whether or not they could, they didn't stop to think if they should.
Jam Films S is a Japanese omnibus movie. It was released by Phantom FIlm in Japan on January 15, 2005. The movie follows 2002’s Jam Films and its 2004 sequel Jam Films 2. This time around, the overall theme is “S” which stands for succession, success, and special. There are seven shorts, all produced by Ryuhei Kitamura. Included are the shorts Tuesday by Kenji Sonoda, Heaven Sent by Ryuichi Takatsu, Blouse by Hitoshi Ishikawa, New Horizon by Ryo Teshima, Suberidai by Yuichi Abe, Alpha by Daisaburo Harada, and Suit by Masaki Hamamoto.
It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
A fragmented view of contemporary Spain, drawing conclusions about the persistence of the human condition, strangeness, and the chaos within relationships.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
Of late, Kago has also taken to posting his even less-known video work to his YouTube channel. In these jokey short films, many of them crudely animated, Kago's sick sense of humor reaches its full heights of absurdity. There's a playful surrealist sensibility to Kago's work, as well as a tendency to revel in the ridiculous, the crude and the disturbing. His work straddles a weird boundary between avant-garde experimentation and low-brow fart jokes — the punchline of one of these films is literally an oozing torrent of shit — although, admittedly, his videos seem to lean a bit more heavily towards the fart jokes than his comics. But hey, who doesn't appreciate a good fart joke once in a while?
Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.
