Bulletproof Salesman

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

A journey through the parts of Afghanistan that don't normally feature in news coverage to meet some amazing people and see fascinating places. Lyse Doucet uses her many years experience in Afghanistan to show a different side of a country which has been at war for 30 years.

An erotic, stylised documentary celebrating the history and culture of black lesbians. Contemporary interviews are interwoven with a sultry narrative set in 1920s Paris, showing the relationship between a femme jazz singer and her butch daddy lover.

Following their triumph with Manufactured Landscapes, photographer Edward Burtynsky and filmmaker Jennifer Baichwal reunite to explore the ways in which humanity has shaped, manipulated and depleted one of its most vital and compromised resources: water.

Documentary film on the #1 instrumental rock group in the world, The Ventures. The story of their rise to fame in the 1960s right up to now, as they celebrate their 60th anniversary of playing the best guitar-rock of all time.

How did Hollywood pitch movies about gays and lesbians between 1956 and 1977? Here are theatrical trailers for 27 mainstream and art-house films, presented chronologically from "Tea and Sympathy" to "Outrageous!" More than half are films released between 1968 and 1972. Half are dramas and half are comedies, with farce dominating the films released after 1971. At least three advertise X-rated films: "The Killing of Sister George," "Midnight Cowboy," and Visconti's "The Damned." There's no voice-over commentary for this compilation, but it does include advertisements for snacks and one warning against public displays of affection aimed at "her" to control "him."

Produced by the Highway Safety Foundation in 1964, this shocking film deals with a subject quite taboo for its time. The short serves as a dramatized warning, ending with graphic case studies.

Lonely. It could be you. It could be me. There are millions of us out there. The headlines call this 'The Age of Loneliness'. They say it's a major public health issue. A silent epidemic that's starting to kill us. But we don't want to talk about it. No-one really wants to admit they are lonely. Award-winning film-maker Sue Bourne believes loneliness has to be talked about. It affects so many of us in so many different ways and at so many different stages of our lives. So she went out to find people brave enough to go on camera and talk about their loneliness. The Age of Loneliness has people of all ages in it, from Isobel the 19-year-old student to Olive the feisty 100-year-old, Ben the divorcee, Jaye the 40-year-old singleton, Richard the 72-year-old internet-dating widower, to Martin, Iain and Christine talking about their mental health problems. Everyone talks with such remarkable honesty and bravery that you can't help but be touched by their stories.

In this absorbing film, seven independent female Iranian documentary makers take us into their personal and professional world, in an Iran that continues to be punctured by political, social and economic crises. What becomes clear over seven autobiographical chapters, is that choosing to become a documentary maker in Iran is a brave decision, often placing your liberty in danger. These women are driven by the need to document their world, and the forces that continue to restrict their movement and freedom. Whether it is making a film about department stores in Tehran featuring mannequins with severed heads and breasts, or the women singers they used to love as children, who have been banned from radio and TV since the revolution, or the huge swell of hope that comes with each election, these directors provide a rare and incisive view inside contemporary Iran, a country they continue to love, even as they will it to change.