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The Spiderwick Chronicles - (Apr 19th)
Passenger - (Apr 19th)
After Midnight - (Apr 19th)
Big Little Crimes - (Apr 19th)
Deadliest Families - (Apr 19th)
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TNA iMPACT! - (Apr 19th)
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Franklin - (Apr 19th)
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David Lomas Investigates - (Apr 19th)
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I don't believe I've ever seen anything quite like it. I highly recommend it.
_"Down on your marrowbones and pray!"_ A pretty good collection of up-and-comers with a solid enough premise told relatively efficiently, featuring a mix of hardline-by-the-numbers horror and only-mostly-cliche horror, but it lacks that next step to take it over the line into being actually good. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Marrowbone is another drama being mismarketed as a horror movie. While I would agree that Marrowbone has some thriller elements, I felt that fear in the horror sense as much as horror felt through dread. Aside from the disappointment upon the realization that the trailers mislead me, Marrowbone is is a very solid film. All of the acting is great (although George MacKay doesn't really portray pain very authentically), the set is both beautiful and haunting, the camera work makes some memorable scenes, and the story is compelling. The Spanish title is The Secret of Marrowbone, which is a much better title. While I wasn't satisfied with the ending they chose and I still have unaddressed plot holes that still bother me, Marrowbone drew me in and I was pleased with the journey.
**A good psychological horror movie.** For me, the only good thing about Halloween is the amount of horror movies on television. The Anglo-Saxon reader, don't get me wrong, I know it's a tradition very dear to the Americans and the British, and I respect that, in the same way I respect Dia de Los Muertos. But in my country, this tradition is non-existent. I only started hearing about it fifteen years ago, due to an irresistible alliance between commerce (always interested in selling trinkets and masks left over from Carnival) and the weight of globalization, which turns cultural variety into a homogeneous, tasteless soup. What we have in my country is just the Catholic celebration of All Saints and, the next day, the religious feast of the deceased, with the traditional pilgrimage to the cemeteries. For those who are not Christian or have no one dear in the cemetery, maybe these are days like any other. But let's get down to business! As you can see, I saw this movie for Halloween, and I really liked what I saw. Despite the presence of Sérgio Sánchez, who signs the script and guarantees impeccable direction, and despite having been filmed and produced in Spain, the film features English-speaking actors and the entire story takes place in the United States. The script begins with the arrival of a mother, with her children, to her family home, which has been closed for a long time. It's clear from the start that they are on the run and hiding from an abusive husband/father left in Europe. Everything goes well until the mother's death, who leaves the children in the care of the eldest. From then on, they try to hide her death until he turns 21, the age from which he will be entitled to be the brothers' legal guardian, thus ensuring that they all remain together. There's so much more to the script, it's not just a family melodrama about close-knit brothers and the dangers of an abusive father. Terror is very present in the remains of that decrepit house, where something else is present, and a dark secret hidden somewhere on the upper floor, totally inaccessible. The young orphans' relationship with Allie, their closest neighbor, and with a lawyer from the nearby town, will be the impetus for new developments, which will lead us to know more about the young people, and what really exists in that isolated house. The film is full of twists, and some of them surprised me a little. George MacKay is the great protagonist of the film and gives us a truly superb, deep and sometimes disturbing interpretation. Despite the quality of the cast, in general, being good, he stands out from the others and steals our attention whenever he appears. Charlie Heaton is another good addition, and especially shines in the scenes where he plays with MacKay, in particular in his various conflicts. Tom Fisher is quite effective as a villain, even though he is not happy with his character, stripped of any depth and turned into a mad beast, a closet monster determined to eat little children. Anya Taylor-Joy was a nice and effective addition, but it has very little to do. Technically, the film relies heavily on cinematography, filming locations, sound effects and set design. The cinematography takes advantage of the cold colors and misty days, as well as the dim light from the interiors of the house, and from the lit candles, to help create a tense and suitably somber atmosphere, which is thickened by the sound effects, very well used, and by the scenery of the country house, aged and in need of works. The house is transformed, as in other scary house movies, into an additional character in the plot, with its own personality and its own history and quirks. The choice of costumes and cars puts us in tune with the time when everything happens (the 50s). However, it lacks an effective and truly memorable soundtrack.
Hotel night clerk Bart Bromley is a highly intelligent young man on the Autism spectrum. When a woman is murdered during his shift, Bart becomes the prime suspect. As the police investigation closes in, Bart makes a personal connection with a beautiful guest named Andrea, but soon realises he must stop the real murderer before she becomes the next victim.
A case of juvenile violence called "Horrible Tortures" shocks the city. The highest sentencing is life in prison. However, one of the most important criminal in the case, Beep, is only sentenced to seven-year imprisonment. The verdict has the other story behind.
Cheong-rok would like to shoot a threesome sex on his mobile with his friend Seon-hong and Ja-ju, who had agreed to participate in their broadcast, changes her mind at the last minute. They looking for another girl but, that night in a small motel, they get a call from Ja-ju who decides to join. While Cheong-rok goes out to pick her up, the other girl disappears leaving the floor scattered by her blood. Soon after they realize that the most of guests in the motel are brutally murdered. Terrified, Seon-hong and Ja-ju try to escape whereas Cheong-rok is still broadcasting what’s happening because the number of viewers of their broadcasting hits 200,000 and is still growing.
With channels that can't be found on any other cable package and a special offer including a lifetime of free service, one homeowner doesn't think twice before signing on the dotted line and settling in to check out his new programs. But when the salesman said that these shows couldn't be seen anywhere else, he wasn't kidding... These series are all a part of something more vicious... Something more vile... They're all a part of THE CARNAGE COLLECTION
Paul Temple is called in to help Scotland Yard track down a serial killer who has murdered several wealthy women.
In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.
When a young couple – Anne and Harold – moves into a new home without knowing it was a site of horrific murders, Anne's loneliness and strange behavior makes their relationship complicated, especially after Anne meets 'Mary', a dark presence from which she can't escape.
The paths of a desperate man and an imprisoned young woman cross unexpectedly in the den of a mysterious killer.
Dan wakes up on a beach with no memory. He discovers an empty city ravaged by a deadly virus. After befriending a small group of survivors it soon becomes clear the army are hunting him down, and the group are forced on a dangerous journey to escape.
John Whitmore wakes to find his wife, Anne, has disappeared from their bed overnight and a recorded ransom message now remains in her place.
A radio columnist is threatened by gangsters and later murdered during a broadcast. A detective sets out to find the killers.