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In this one-hour documentary, superstar Miley Cyrus allows unprecedented access into her extraordinary life as she rises to the challenge of presenting a new and sometimes controversial persona to the public. As a teenage star, Miley amassed millions of passionate international fans who followed her every move. Three years later, she attempts to shed her previous image while embracing music full time. Whether in the studio, at a performance, or on the set of her latest music video, Miley exudes the confidence of a creative young woman in a period of radical self-discovery who still inspires legions of admirers while confronting her critics. Ultimately, the film is an intimate portrait that captures Miley's exuberantand spirited life, her evolving identity, and her exciting transformation into amusic icon.
Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.
Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.
Animator. Storyman. Troublemaker. At 80 years old, see how Disney Legend Floyd Norman, the first African-American animator at Disney, continues to impact animation and stir up "trouble" after the company forced him to retire at age 65.
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
When it comes to animation, few do it better than Pixar and Disney. They are the dreamers and doers with multi-billion dollar imaginations. Bloomberg television takes you behind closed doors to see how this powerhouse makes movie magic.
Run Wrake is an English filmmaker, animation director, and music video director. He studied graphic design at Chelsea College of Arts before completing a master's degree in animation at the Royal College of Art in London. In this interview for the BBC's Channel 4, he describes some of his films, their inception, and their production. He also comments on technological and cultural developments that have changed how animated films are produced and perceived.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
“Phototaxis” draws parallels between Mothman, a prophetic and demonized creature in West Virginia lore, and Narcotics Anonymous, the main treatment program in West Virginia’s addiction epidemic.