Arthur the King 2024 - Movies (Apr 23rd)
Monkey Man 2024 - Movies (Apr 23rd)
The Cost 2023 - Movies (Apr 23rd)
Dangerous Waters 2023 - Movies (Apr 23rd)
Downtown Owl 2023 - Movies (Apr 23rd)
Time Addicts 2023 - Movies (Apr 22nd)
Tigers on the Rise 2024 - Movies (Apr 22nd)
Fern Brady Autistic Bikini Queen 2024 - Movies (Apr 22nd)
Tiger 2024 - Movies (Apr 22nd)
Hip-Hop and the White House 2024 - Movies (Apr 22nd)
Locked in My House 2024 - Movies (Apr 22nd)
My Child Has My Doctor’s Face 2024 - Movies (Apr 21st)
When Evil Lurks 2023 - Movies (Apr 21st)
Flying for the Flag 2023 - Movies (Apr 21st)
Stockholm Bloodbath 2023 - Movies (Apr 21st)
The Bricklayer 2023 - Movies (Apr 20th)
The Breaking Ice 2023 - Movies (Apr 20th)
Abigail 2024 - Movies (Apr 20th)
Hard Miles 2023 - Movies (Apr 20th)
Refuge 2023 - Movies (Apr 20th)
Love By Design 2023 - Movies (Apr 20th)
Accused - (Apr 23rd)
Inside the Force - (Apr 23rd)
NCIS - (Apr 23rd)
WWE Raw - (Apr 23rd)
This Old House - (Apr 23rd)
Bob Hearts Abishola - (Apr 22nd)
The Neighborhood - (Apr 23rd)
Contraband- Seized at the Border - (Apr 23rd)
Spring Baking Championship - (Apr 23rd)
Seeking Sister Wife - (Apr 23rd)
Ugliest House in America - (Apr 23rd)
Lakefront Empire - (Apr 23rd)
Lethally Blonde - (Apr 23rd)
The ReidOut - (Apr 23rd)
All In with Chris Hayes - (Apr 23rd)
Love Your Weekend with Alan Titchmarsh - (Apr 23rd)
Mean Girl Murders - (Apr 23rd)
Uncensored - (Apr 23rd)
All American - (Apr 23rd)
The Synanon Fix- Did the Cure Become a Cult? - (Apr 23rd)
I could make the joke about this film's title but I don't want to beat a dead horse. I had wanted to see this film since it was released in cinemas, but not because I thought it would be good, rather because I live for garbage like this. I saw the trailer and saw just filth, just absolute cinema excrement. Well, what did I receive? I received a rather played out the first half with one of the slowest pacings I've seen this year. I'm a fan of films taking their time and carefully detailing everything, but those are films with a sense of purpose. This is not one of those films. It's a Redbox on a bad movie night, or a film your girlfriend wants you to watch with her. Neither situations are true for me, but I'm sure it's happened to someone before. It's a slow first half that just has this lackluster eruption becoming a parody of itself. The last fifteen minutes of this film become a ridiculous set of scenes of 2017. If you're someone who has seen the trailer then you know what is going to happen. It practically lays out its entire structure hoping maybe you'll see it one late night. I saw it and got about what I expected. Rosario Dawson plays as this blogger journalist type who has a beautiful family, the catch is that it was once Katherin Hegel's and she's not over the divorce. She begins to find ways to slowly destroy Dawson's life hoping to win the love of her husband. You see that sound like it could be ok, but the writing and execution of the plot is just so convoluted and unbelievable that it just becomes a parody. I mean it isn't a slow build up at all, we are just shown that Hegel is crazy playing all of its cards in the first fifteen minutes. It's just screaming to you saying "You know what you got yourself into, enjoy the last hour and fifteen minutes,". 3/10
If you have ever even so much as heard of Lifetime existing, then you know every single beat of _Unforgettable_ from beginning to end. What it does, it does quite well (and further proves the point I made about Katherine Heigl finding her place in sociopathy when I wrote my _Home Sweet Hell_ review), but it doesn't have a single new thing on offer. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**UNfortunately-FORGETTABLE film!** Directional debut for a producer. I think she did well. But the film had a major issue. The film was decent with nice performances and production quality. Though it came at a wrong era. Came in too late, at least two decades late. If you had watched a decent number of films in your life, probably you have already seen plenty of similar film. And most of those would have come from the late last century. As what the title says, it was totally opposite of meaning that unfortunately a forgettable film. All the above, they have kept open ending, hinting a sequel could come. I already feel that is a bad idea! Since it was very familiar, easy to predict the scenes and dialogues. Particularly the climax was a let down. I expected something better than usual. The clues, twist, all were ordinary. Though the actors were decent. That does not mean it is worth watching for them. Definitely won't work, unless you are a big fan of anyone of them. Something for sure that it looks like they ran out of the ideas. Why would someone want to make the same old film with a new cast. Why not call it a remake or a reboot! Anyway, don't think it is worth a watch, unless you haven't seen many films in your life or born yesterday. _4/10_
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A group of strangers find friendship, family and love within an Italian beginners’ course.
As the only First Nations student in an all-white 1940s school, eight-year old Wato is keenly aware of the hostility towards her. She deeply misses the loving environment of the reserve she once called home, and her isolation is sharpened by her father’s serious illness. When Wato’s teacher reads from a history book describing First Nations peoples as ignorant and cruel, it aggravates her classmates’ prejudice. Shy and vulnerable Wato becomes the target of their bullying and abuse. Alone in her suffering, she finds solace and strength in the protective world of her magical dreams.
A court case ensues when a 47-year old man is caught with a 15-year old girl, and he claims he never knew she was so young.
A series of seemingly unconnected events and 50 important speaking parts make this film a jigsaw puzzle to be solved by the viewer. Martin and Claire were separated in childhood, and are brought together by a series of coincidences. A tragic car crash is central to the story, but seemingly unimportant events can hold great significance. Through a montage of different film stock and techniques director Diane Bertrand creates pieces of a puzzle, from which the viewer has to piece together a story. That's the premise of the film, and it is solvable. You just have to work a bit...
Two lost souls visiting Tokyo - the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial - find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.
Diane and Dora are two whores who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.