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Survivor - (Apr 25th)
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Based on a science-fiction novel by Sakyo Komatsu. Tokyo is suddenly covered by a dome shaped electromagnetic cloud for an unknown reason and is totally blocked and isolated from other parts of the world. The temperature inside the cloud is slowly increasing. The Soviet Pacific fleet is getting closer. The U.S. is forcing Japan to form a new government. Scientists and research workers outside Tokyo have to race against time to find out how to get through the cloud in order to rescue the 12,000,000+ lives in Tokyo and the fate of the country.
Garo: Soukoku no Maryu (lit. Blue Cries of the Demon Dragon) is the second film to the Garo series. The film serves as an epilogue after Makai Senki and leads up to The One Who Shines in the Darkness. The story continues after the events of Makai Senki. Having made a contract with Gajari, Kouga Saejima honors his end of the deal by traveling to the Promised Land to retrieve a part of Gajari: the Fang of Sorrow. After Kouga defeated Sigma, Gajari transported him to the Promised Land, however, his quest had unexpected results.
A space ninja group initiate mysterious bombings around the world - from Paris, to Egypt, China, and many others. Nanami and Kouta followed the series of incidents, but were surprised to see a familiar figure appearing before them! It was mentioned that a mistake was made from a battle 10 years ago. This is a V-Cinema, direct to video, movie to commemorate the 10th anniversary of Ninpu Sentai Hurricaneger.
The U.N.G.C.C. (United Nations Godzilla Countermeasure Center) recovers the remains of Mecha-King Ghidorah and construct Mechagodzilla as a countermeasure against Godzilla. Meanwhile, a giant egg is discovered along with a new monster called Rodan. The egg is soon found to be none other than an infant Godzillasaurus.
Six incredible teens out-maneuver and defeat evil everywhere as the Mighty Morphin Power Rangers, but this time the Power Rangers may have met their match when they face off with Ivan Ooze, the most sinister monster the galaxy has ever seen.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
Touma and Mei find a girl who is looking for her brother. When they try to talk to her, she is attacked by Desast and runs away. Why is Desast after her? Meanwhile, as he’s looking for Kanon, Takeru Tenkuji finds survivors of Danton’s experiments and vows he won’t let them be sad like Chloe was. When he goes off to look for more survivors, he runs into Touma and Mei…
At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.
Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.
During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.