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**_Tonally flawless, but narratively weak_** > _The killing was just a means to an end. That was the least satisfactory part. I didn't enjoy doing that. That's why I tried to create living zombies with uric acid and the drill, but it never worked. No, the killing wasn't the objective. I just wanted to have the person under my complete control, to do with as I wanted. It's not easy to say that, but that's what the motive was._ - Jeffrey Dahmer; speaking to Stone Phillips; _Dateline NBC_ (March 8, 1994) Taking place over the course of Jeffrey Dahmer's last year in high school, and culminating with the fateful meeting between Dahmer (Ross Lynch) and Steven Hicks (Dave Sorboro), writer/director Marc Meyers's _My Friend Dahmer_ is based on the 2012 graphic novel by Derf Backderf (played in the film by Alex Wolff), who attended the same school as Dahmer, and formed a pseudo-friendship with him. The film is tonally brilliant, coming across like _The Breakfast Club_ (1985) directed by David Fincher, perfectly capturing 80s tackiness. Narratively, however, it's extremely plodding, and could easily have been trimmed by 20 minutes. It's also difficult to see what Meyers was trying to achieve; other than a couple of brief moments, we're never given any real access to Dahmer's interiority, so he remains an enigma, always at arm's length (which could have been the point). But is Meyers asking us to feel sympathy for Dahmer because he had a difficult adolescence, came from a broken home, couldn't make friends in school; to quote that great line from Michael Mann's _Manhunter_ (1986), > _my heart bleeds for him, as a child. Someone took a kid and manufactured a monster. At the same time, as an adult, he's irredeemable. He butchers whole families to pursue trivial fantasies. As an adult, someone should blow the sick fuck out of his socks._ Or is this simply a character study (if we didn't know it was about Dahmer, it could be any number of examinations of high school awkwardness)? The lack of clarity regarding the film's theme is compounded by the scenes where it looks as if Dahmer is about to murder someone, only to stop at the last second. This is an especially strange way to generate tension, insofar as we already know his first murder was Hicks. Also, if the film is actually trying to say something of societal worth regarding serial killers, directionless youth, nature vs. nurture etc, trying to draw an audience into the narrative with the prospect of murder probably isn't the way to go about it. The film also fails to really get into the issues of Dahmer's sexuality, and his confusion and frustration about being gay. It's worth a look, and Lynch's performance is quite something, but if you're already familiar with Dahmer's story, you won't find much insight here.
After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble.
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family - and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
A small time thief from Belfast, Gerry Conlon, is falsely implicated in the IRA bombing of a pub that kills several people while he is in London. He and his four friends are coerced by British police into confessing their guilt. Gerry's father and other relatives in London are also implicated in the crime. He spends fifteen years in prison with his father trying to prove his innocence.
While flying a routine reconnaissance mission over Bosnia, fighter pilot Lt. Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer, Admiral Reigart, decides to risk his career and launch a renegade rescue mission to save his life.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Reincarnated 30 years after being killed in a suspicious on-set fire, a small-time actor is determined to punish the person who ignited the blaze.
A killer is on the loose, and an FBI agent sifts through clues and learns that the bloodthirsty felon's victims of choice are other serial killers.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
Four women are given into the custody of the Magdalene sisterhood asylum to correct their sinful behavior: Crispina and Rose have given birth to a premarital child, Margaret got raped by her cousin and the orphan Bernadette had been repeatedly caught flirting with the boys. All have to work in a laundry under the strict supervision of the nuns, who break their wills through sadistic punishment.
While drying out on the West Coast, an alcoholic hit man befriends a tart-tongued woman who might just come in handy when it's time for him to return to Buffalo and settle some old scores.