Ferrari: Race to Immortality

Cameras follow David Beckham as he attempts to play a football match on all seven continents and get back in time for his own UNICEF fundraising match at Old Trafford. On the journey, he discovers what football means to the many different people he meets and plays with, as well as some of the universal truths about the game itself, including its ability to inspire and unite people.

In the world of football, there seems only two camps when it comes to the greatest player. If you ask 100 soccer fans who that person is, chances are 50 of them will say Cristiano Ronaldo and 50 will say Lionel Messi. In this unique documentary, we examine these two superstars' moves, talent and ability. We hear from the rabid fans, interview the experts and debate which player is the best in modern football.

It is the story of two young Swiss people who couldn't be more different and who meet in ski races around the world. From 1972 to 1975, from Sapporo to Kitzbühel to Wengen, Bernhard Russi and Roland Collombin fought a relentless battle for the title of the world's best ski racer.

After enduring eleven years as one of the most dominant and controversial players in a professional lacrosse league that was anything but professional, Paul Rabil decides to take the game into his own hands. Partnering with his brother Mike Rabil, the Rabil brothers attempt to raise the capital, poach the top players, fight off lawsuits, and persevere through a global pandemic to change the trajectory of professional sports by launching the Premier Lacrosse League. To complicate matters, Paul must navigate the politics of playing in the league that he also runs.

The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.

Go behind the scenes with the Hyundai A-League​ Premiers and Champions when the special documentary The Road to Victory premieres on Fox Sports 505 at 7.30pm AEDT on Tuesday, October 27. The Hyundai A-League 2014/15 season yielded Melbourne Victory its third Premiership-Championship double since the club's inception in 2005. The Road to Victory takes you inside the club as key personnel reflect on how Victory achieved the ultimate success in its 10th anniversary season. Exclusive interviews with chairman Anthony Di Pietro, head coach Kevin Muscat, former captain Mark Milligan, club stalwart Leigh Broxham and 2014/15 signings Besart Berisha, Fahid Ben Khalfallah and Matthieu Delpierre tell the story from the inner sanctum.

After 32 years of heartache, bitterness and despair, it took just seconds for Guus Hiddink to exude a rare sense of calmness in the Socceroos dressing room. Four years prior to the now famous night on November 16, 2005, a fragile Australian team had been bullied off the park by Uruguay in its quest to finally break its World Cup drought. Intimidated from the moment they touched down in Montevideo in 2001, spat on by locals and then roared off the park by 60,000 manic fans in the Estadio Centenario, they had barely stood a chance. Now older, more mature and — with Hiddink in charge — more professional, things would be different four years on. That change in mentality flows through November 16, a gripping documentary from Richard Bayliss and Ben Coonan that depicts the Socceroos’ journey from West Germany in 1974 to the moment John Aloisi’s crisp spot kick struck the back of Fabian Carini’s net.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.

In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.