On Putin's Blacklist

Ted Hughes's 1993 novel The Iron Woman is the springboard for this multi-media project by Mikhail Karikis. The video section of the installation features seven-year-olds from Mayflower Primary School in East London discussing the novel's environmental themes.

The industrial noise of a factory in the Isle of Grain provides a percussive backbeat as a group of local children rap about their lives and play in the woods, sometimes wearing luminous tribal masks.

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

A daily life in Korogocho, Kenya, one of the world’s poorest slums.

A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.

Based on investigations by independent journalists, the film documents the origins of Russian President Vladimir Putin’s private wealth and subsequent rise to power, demonstrating his ascension to the Russian presidency after an alliance built in the early 1990s between himself, certain friends from Leningrad’s KGB, and mafia groups.

While living in a deserted valley in eastern Lebanon, seven-year-old Rahaf describes the wonders of her past, present and future – without knowing the limits of her own imagination.

In “The Committee” 8 to 12 year old children explain how they decided to spend 7000 pounds. They discuss the process of decision making and the values guiding their decisions. The children are 11 regulars at a youth center in Bow, London, and were invited by the artist to spend her Emdash Award budget, normally aimed towards production of art work for Frieze Art Fair. The children were free to spend the money any way they wanted as well as to choose how to make decisions in a group.