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The 11th Hour with Stephanie Ruhle - (Mar 28th)
Dateline- Secrets Uncovered - (Mar 28th)
The Cook Up with Adam Liaw - (Mar 28th)
The Ingraham Angle - (Mar 28th)
The Five - (Mar 28th)
Gutfeld! - (Mar 28th)
Supa Girlz - (Mar 28th)
Teen Mom- Family Reunion - (Mar 28th)
Married at First Sight - (Mar 28th)
Booked- First Day In - (Mar 28th)
Court Cam - (Mar 28th)
American Pickers - (Mar 28th)
The Baxters - (Mar 28th)
Tokyo Vice - (Mar 28th)
Friends in Low Places - (Mar 28th)
Justice, USA - (Mar 28th)
grown-ish - (Mar 28th)
Invincible - (Mar 28th)
The Girls on the Bus - (Mar 28th)
Professor T - (Mar 28th)
Decent watch, probably won't watch again, and can't recommend unless you're just dying for more Harold and Kumar. The movie feels very forced. A buddy adventure, like the first two movies made sense, but a "reconnection through adversity" trope feels tired and it seems to take a lot, to include new buddy teams and cross competition just to get them to a point where their buddy adventure high jinks can start and we get some nostalgia for the previous movies. The Neil Patrick Harris bit feels super problematic, though it is HIM doing it so I guess it is okay. It's a "Harold and Kumar" adventure in a movie about moving away from "Harold and Kumar adventures" towards something about responsibilities and putting family first.
**It has quality, it has several interesting points to observe, but it has a stupid humor that is completely lost by the message it conveys about drugs and sex.** I saw this movie on television by mere chance, just now, and I confess that I didn't like it. It is in fact a light film, it has some good scenes and moments, it even has several quality points as I will discriminate, but if we think about it, its style of humor, based almost entirely on jokes about sex, use of all kinds of drugs and such, spoils everything. I know there are people who like these easy laugh comedies, but I'm far from being one of them. Kal Penn and John Cho give life to the main characters, who they already know very well because it is the third film in this franchise (which I haven't seen and, after this, I won't see it). The film also introduces us to Danny Trejo, Paula Garcés, Richard Riehle and Danneel Ackles, to name just a few supporting actors in this film. The actors are doing what they can with the material at hand, I think that's one of the redeeming values of this film, but there's not much they can do when the material is intentionally bad and still makes money. On a technical level, what I liked the most were the stop-motion animations that appear in a given situation in which the protagonists are stoned. It was a quality asset, and using it was creative and original, even though the film isn't worth our time and money. The settings are also good, especially Cho's house, overloaded with decorations and Christmas lights to the point of being cheesy, thus evidencing the lack of taste of its owner, a drug addict of Korean descent who simply gets rich. The soundtrack also deserves a positive note, if only for its work with the classic songs of the season. As you can see, the film had the potential to be very interesting and was only lost by its lewd humor, the vile, absolutely despicable jokes, and the film's total obsession with sex and drugs. What was the target audience for this crap? Drug addicts and sex maniacs? A bunch of teenagers without any brains to think? Let's be honest: on the one hand, the film conveys the idea that Harold and Kumar (the junkies on duty, that is, the main characters) are totally irresponsible, immature and unworthy of being considered for a serious matter. This is a positive message because indeed drug users and sex addicts are despicable, irresponsible, unworthy of being considered mature or trustworthy. And I emphasize: marijuana, whatever the name you want to give it, is a drug and its consumption is addictive and leads to crime and death. It's an addiction like any other. However, on the other hand, and despite the fact that the film gives us this positive message, it also makes an apology for consumption! What do we see? People who have fun and laugh when they're high, even if they do stupid things! But drugs are like alcohol and all other addictions: at that moment it seems like a good idea, but in exchange for these moments, we sell our soul.
A crusty old rancher hires three young women to pose as his daughters. However, the real father of one of the daughters finds out about it, and kidnaps her to hold her for ransom-which the rancher can't pay.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
Shrek, Fiona and Donkey set off to Far, Far Away to meet Fiona's mother and father. But not everyone is happy. Shrek and the King find it hard to get along, and there's tension in the marriage. The fairy godmother discovers that Shrek has married Fiona instead of her Son Prince Charming and sets about destroying their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
The comic mishaps and adventures of a young boy named Ralph, trying to convince his parents, teachers, and Santa that a Red Ryder B.B. gun really is the perfect Christmas gift for the 1940s.
When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.
Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
Andy heads off to Cowboy Camp, leaving his toys to their own devices. Things shift into high gear when an obsessive toy collector named Al McWhiggen, owner of Al's Toy Barn kidnaps Woody. Andy's toys mount a daring rescue mission, Buzz Lightyear meets his match and Woody has to decide where he and his heart truly belong.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Eight London couples try to deal with their relationships in different ways. Their tryst with love makes them discover how complicated relationships can be.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.