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Interesting but much more for how the movies were done back in 1927 and how the relationships between men and women were understood.
Wow! Friedrich Murnau really did pull out all of the stops for this gorgeously complex and beautiful story - that is entirely based on human character flaws that ordinarily might make one squirm... None of the characters actually have names, but George O'Brien is contentedly married to Janet Gaynor, living on their farm with their young child. One day, he happens upon the visiting Margaret Livingstone - an urban sophisticate with whom he is soon captivated. Conscious of his duty to his wife, he is reluctant to join her in the big city, so she rather malevolently suggests that he and his wife fake a boating accident in which she drowns and he survives... Disgracefully, he agrees and so the couple set out on their trip, but when he tries to push her overboard he bottles it and she flees in terror into the city where he finally catches up with her, and craves her forgiveness. Luckily for him, she agrees and the couple spend a charming day together experiencing all the luxuries the metropolis can offer before being caught in the mother of all storms as they head home at the end of their day. Try as he might, though, he cannot put the memory of the other woman behind him, and his thoughts take a much darker turn... The story is basically a tale of good vs. evil, temptation and sin - and not always presented in any clear cut scenario. Despite being a thoroughly odious and selfish man, I didn't hate O'Brien's character - weak and fickle is it was; and the temptress Livingstone isn't hateful either - it's all about human nature and what makes us tick - warts and all. The photography is super - especially in the salon where they are both pampered and seduced, and the storm sequence at the end is also very effective. By 1927, silent films had learned the art of condensing their stories - and this is done really well here, too. The film has a pace that doesn't linger long, and is really a joy to watch.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
The Polish film based on the book of the same name by Władysław Reymont. Taking place in the nineteenth century town of Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion shown through the eyes of one Polish town.
It's Christmas, and a young woman is on her way to celebrate the holidays with her parents. A group of drunk cowboys startle her horses making her wagon, with the woman on it, speed off. By chance Broncho Billy saves her life and the grateful girl invites him over for Christmas dinner. Little does he know that the young lady is the Sheriff's daughter…
What does it mean to be awake in a world that seems satisfied to be asleep? Kris and Michal push their experiences of life and love to a breaking point as they restlessly roam the city streets in search of answers, adrift in the euphoria and uncertainty of youth.
A young man wants to be a female impersonator, but gets mocked in his very first performance by a fierce older woman. He finds out where she lives and goes to her house expecting an apology. Instead, she locks him in her shed and rapes him. It makes him fall for her. But soon her even darker side reveals itself when she believes he is attracted to her more beautiful visiting cousin.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
