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Nowhere near best picture worthy, but truly excellent suspense building. The 2 hours certainly fly by with this one. Alan Arkin is a joy to watch.
I think there really is no other way to say this and please excuse my english. Argo f@#$% yourself (in a good way!). Watch it and you will understand. Solid member of my 'so worth it' category.
Surprisingly winner of the Oscar award for the best movie. It is a reasonably well done picture but nothing that interesting nor well threaded that the story telling would be worth mentioning. Actually, probably the contrary. The cast is quite good in any case.
grave doubts about the operation themselves. This is a good movie although the context of the movie is a rather sad one. It is definitely not my favorite genre but my wife wanted to watch it and it had received generally favorable ratings so I added it to my collection. The historical accuracy of this movie has been questioned. I honestly do not remember any details of the events of this sad episode in Middle East history so I cannot really judge this. As far as I know the general plot is consistent with reality and in this movie it is good enough for me. I fear that, if they would have made it 100% historically accurate, the movie would have turned into a rather boring documentary instead of a fairly enjoyable drama movie. Surprisingly enough the movie was quite funny at times. The dialogue between the movie-people when they were setting up the fake movie was sometimes quite hilarious. Some parts of the movie was rather tragic of course, like the Iranian mob taking over the embassy and the crazed idiots at the bazar. Other parts where a bit silly. Why did the Iranian security have to break down their own doors at the airport instead of just calling the tower and stop the plane for instance? And the cars chasing the plane was just rubbish. The plane would have gone much faster than the cars could go long before they caught up with the plane. Also the fact that the cars basically had to panic-break in order not to hit the barrier at the end of the runway meant the plane almost ran into the barrier which, given that it made a normal take-off, is just nonsense. In general it is a good movie although it is not really my type of movie and the movie’s context, the take-over by the Iranian extremists, is a rather sad one.
Argo is undoubtedly one of the most intense cinematic experiences I have ever had the pleasure of witnessing. From the very first frame, this film had me on the edge of my seat, holding my breath in anticipation of what was to come next. The director's use of cinematography to create a sense of claustrophobia and tension is masterful, with every shot making the viewer more and more anxious. The cramped cubicles of the embassy, the small apartment building, and the crowded streets of Iran all contribute to the overwhelming feeling of being trapped with no escape. What really sets Argo apart, however, is the intricate and fleshed-out storyline. Every second of the film's runtime is used to its fullest potential, with each integral piece of the master plan receiving the attention it deserves. The movie provides a deep dive into the complex and unbelievable story of the rescue operation, leaving no stone unturned and no detail overlooked. In addition to the fantastic storytelling, the performances in Argo are absolutely top-notch. Ben Affleck delivers a standout performance as the main character, but the supporting cast is equally impressive. John Goodman and Scoot McNairy in particular shine in their respective roles, adding depth and nuance to the already-rich tapestry of the film. Overall, Argo is truly a masterpiece of filmmaking. The pacing is perfect, leaving the audience with no time to catch their breath and adding to the mounting tension. The final act of the film is a masterclass in suspense and stress, cementing Argo as one of the most memorable movie experiences I have ever had the pleasure of viewing. Score: 94% 🏅 Verdict: Excellent
Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl's fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother - which only fed Florence's need to stay in the spotlight.
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
The Middle Eastern oil industry is the backdrop of this tense drama, which weaves together numerous story lines. Bennett Holiday is an American lawyer in charge of facilitating a dubious merger of oil companies, while Bryan Woodman, a Switzerland-based energy analyst, experiences both personal tragedy and opportunity during a visit with Arabian royalty. Meanwhile, veteran CIA agent Bob Barnes uncovers an assassination plot with unsettling origins.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.
Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.
March/April 1917. The first world war is already a couple year to pace. A sealed train with Russian emigrants keeps on driving from Zürich Germany and Sweden to Sint-Petersburg. The outlaws stand under the guidance of Vladimir J. Lenin. Two senior officers support the revolutionary bomb "to ensure that everything runs smoothly. Yet there are some unpleasant clashes between Socialists and enthusiastic workers who are worried about the war. During train travel there comes an end to Lenin's affair with the gracious Inessa, and his wife Nadja is prepared take back him. The triumphant entrance in St. Petersburg will exceed all expectations....
Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
Solange is seriously depressed, and her kindhearted husband, Raoul, makes it his mission to cure her doldrums. After many failed attempts to cheer her up, Raoul hits upon a possible solution: find his wife a lover. Unfortunately, his choice, Stéphane, proves to be just as ineffectual in restoring her flagging spirits. In the end, the gorgeous Solange finds her own, highly problematic tonic to her troubles in the form of a 13-year-old boy.
During a dinner, a group of friends decide to share whatever message or phone call they will receive during the evening, with unforeseen consequences.
Upon first sight of a beautiful instructor, a bored and overworked estate lawyer signs up for ballroom dancing lessons.
Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.