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Tipping Point Australia - (Mar 28th)
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Alex Wagner Tonight - (Mar 28th)
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Having seen this four or five times now since I was a kid, I can definitively say this is the best Woody Allen introduction for newcomers. Visually it's his best work (for those who don't know, the cinematographer Gordon Willis did The Godfather Parts 1 & 2 earlier the same decade, so it's no surprise). Not as insightful or engrossing as Hannah or Misdemeanors, but the writing's up there. Mariel Hemingway's a crown jewel and tears me apart. If you're a newbie and can watch this before Annie Hall I highly recommend it. It's aged much better and is _the_ Woody Allen litmus test
**In the shadow of “Annie Hall”.** I decided to watch this film last week, after the visit that Woody Allen himself made to my country, with his jazz band and an interesting lecture at the National Cinematheque for invitations only. Despite having seen several of the director's films and not even considering him bad, he always seemed overvalued to me. He won the Oscar for Best Director and was nominated for the award a few times, but after “Annie Hall” he seems to have made several films using the same premise and based, exclusively, on couples with problems. After seeing “Annie Hall”, I found it difficult to watch this film without feeling that Allen was plagiarizing himself and using the same formula to try to achieve the same success. For the intended purpose, it was a success, and it is difficult to find a professional critic who would say that “Manhattan” is poor, a chewed-up copy of a good film that earned Woody Allen the golden statuette. But that's what I feel, and professional critics and Allen fans forgive me, if they can. In the film, Allen almost seems to play himself, in a similar way to what we saw in “Annie Hall” and which also includes, as usual, unorthodox humor and an apparent pleasure in talking about sex. Diane Keaton does a very well done job and is, by far, the best actress here, but even that ends up not being a complete justification for seeing this film instead of others, much better, by the same director. The auxiliary actors don't help much: they want to appear and be part of the project, and that seems to be enough for them. Technically, the film has some points of value: considering this director's musical ear, it doesn't surprise me that the soundtrack is one of the points where Allen wanted to leave a mark of personal taste. And since he is a born New Yorker, it is clear that the film is a labor of love in which we see the affection that Allen has for his homeland, which he is prevented from visiting due to legal issues. Manhattan was lovingly treated, appearing in all its mythical and fascinating splendor, and George Gershwin's music could not be better chosen and more pleasant. All the editing works very well, even if the film is a little slow. There's only one thing I don't understand: why did Allen decide to film in black and white and with so much grain? The question remains unanswered.
Summer 1962 and Olli Mäki has a shot at the world championship title in featherweight boxing. From the Finnish countryside to the bright lights of Helsinki, everything has been prepared for his fame and fortune. All Olli has to do is lose weight and concentrate. But there is a problem – he has fallen in love with Raija.
Two kindred spirits are drawn to each other by fate, and their wills and souls are tested by the punishment of life’s misfortune.
A young man waits in a park for the love of his life, but instead draws the attention of a random passerby.
A schizophrenic romantic tracks down her college sweetheart to help her find their son she gave up for adoption sixteen years ago to the dismay of his new wife.
Writer Alex Sheldon must finish his novel within a month. If he doesn't, he won't get paid. And, if that happens, angry Mafia types to whom he owes money will come looking for him. In order to expedite things, Alex hires typist Emma Dinsmore and begins dictating his novel. The book is about a doomed love affair between a character similar to Alex and a character named Polina Delacroix. But, as Alex falls for Emma, his work takes a different turn.
A writer of BAD detective novels is in full writers' block. He pretends to be the alibi of a beautiful woman who was arrested for murder at first thinking her innocent, but as she shows more and more interesting abilities (such as knife throwing) he begins to doubt his first assessment.
The exciting story of Dr. Manette, who escapes the horrors of the infamous Bastille prison in Paris. The action switches between London and Paris on the eve of the revolution where we witness 'the best of times and the worst of times' - love, hope, the uncaring French Aristocrats and the terror of a revolutionary citizen's army intent on exacting revenge.
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.