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Gerade in der Originalfassung ist „Ted“ ein anarchischer Spaß. Seth MacFarlane, der neben seiner Regiearbeit auch noch Ted spricht, hat ihr einen Film erschaffen, in dem kein Blatt vor den Mund genommen wird und vor allem davon lebt, dass Ted einfach in jeder Szene auf die eine oder andere Art daneben benimmt. Immer einen fiesen Spruch auf den Lippen sprudeln die Beleidigungen und unangebrachten Sätze nur so aus Ted heraus und wenn man bei menschlichen Protagonisten schnell das Gefühl hat, dass dieses Verhalten zu viel des Guten ist, kommt dies bei Ted nicht vor. Dies mag daran liegen, dass Ted eben ein Teddybär ist und man so ein Verhalten von einem Kuscheltier eben nicht erwartet. Erstaunlich ist auch, wie gut Mark Wahlberg (Shooter, Vier Brüder) im Zusammenspiel mit dem chaotischen Teddybären funktioniert. Wahlberg hat sich in den letzten Jahren ja eher in Actionfilmen und ernsteren Produktionen positioniert, zeigt aber in „Ted“, dass er den „Over the top“-Humor genau beherrscht wie das Actionfach. Und auch Mila Kunis (Black Swan, Ausgequetscht) darf man nicht vergessen. Kunis hat sich ja schon mehrfach in Komödien ausgetobt und beweist in „Ted“, dass sich auch in derberen Vertretern des Genres eine gute Figur macht. „Ted“ bietet aber nicht nur derben Humor, sondern mindestens eine Szene, die in die Filmgeschichte eingehen wird, den Donnersong. Wenn John und Ted bei Gewitter im Bett liegen und ihr Lied singen und dabei das Unwetter wild beschimpfen, dann bleibt auch bei den Zuschauern kein Auge trocken, die ansonsten wenig mit dem Film anfangen können. Insgesamt gesehen ist „Ted“ allerdings kein Meisterwerk. In erster Linie nutzt Seth MacFarlane seine Erfahrung die er mit der TV-Serie „Family Guy“ gesammelt hat und mixt den derben Humor der Serie mit neuen Figuren. Klar, mit dem gesellschaftsuntauglichen Ted präsentiert er dabei eine Figur, die man so auf der Leinwand noch nicht gesehen hat, er erfindet sich allerdings mit dem Film nicht neu, sondern erschließt mit „Ted“ nur eine neue Zielgruppe, nämlich die Komödienfans, die MacFarlane noch nicht von „Family Guy“ kenne, aber derbe Komödie wie z.B. „Hangover“ mögen. [Sneakfilm.de]
Ted is THE poster child for the fact that every great concept doesn't automatically become a guaranteed winning project once it leaves the drawing board. This movie SCREAMS "Here's a great idea, but we just didn't know what to do with it." Whether it was because of lack of imagination or too many tokes on the community bong, nobody will ever know. Having a movie about a real-live Teddy Bear existing in the every day life of a 30-something underachiever sounds like a winning formula. However after the first few moments, the movie stalls, the dialog gets stale quickly and the majority of the story revolves around Ted getting high and/or trying to bang shallow, attractive women (even though Hasbro didn't include on him full, working equipment) while the main character tries to balance his 4-year ongoing relationship with a woman completely out of his league and his life-long Thunder Buddy (Ted). Lewd, crude and rude, Ted does little to entertain beyond the limited soph-moronic humor. Unless you are a rabid fan of Family Guy or the 80s Flash Gordon, live in or around the Boston area or think it's funny to hear the F-word every other second, this one won't be for you.
Great watch, will watch again, and do recommend. This is a stupid movie, it doesn't mean it's bad: it's not a great movie, but it is entertaining. I love stupid humor and dirt comedy, basically absurdist comedy which Seth MacFarlane excels at. The cast is great, and I think it would have been a very different movie if they had used anyone else in any role. The concept alone is unique and refreshing, "Did you see the movie about the teddy bwear that came to life?", that's this movie. You almost owe it to yourself to see such a unique concept. And they they do some fantastically structure humor mixed with some rather contrastingly serious romantic drama. They even mix in a touch of horror, and I was even able to get into it, despite it being about a Teddy Bear that has express displeasure about not being constructed with a penis. I can't imagine ever watching this and not being entertained.
Sakura Kinomoto, a Card Captor, wins a game of chance and is awarded a trip to Hong Kong, along with her best friend Tomoyo and her rival, Syaoran Li. It turns out that the ancient rival of Clow Reed, the creator of the mysterious and powerful Clow Cards, summoned them, and she's out for revenge. A battle ensues, and secrets are revealed about Clow Reed's shady past and Sakura's connection to him.
Office worker, Adam, quits work to return to his childhood home and settles into the comforts of his parent's backyard. A chance meeting with a friend from his past leads to them making a "Things to Do" list so they can fulfill some of their childhood dreams.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.
Oscar thinks he's special. He isn't. He thinks it's everyone else's fault. It's not. Moving to London, he gives himself a year to break into showbiz, but ends up waylaid by the same old problems: friendships, flings, and finding ultimate fulfillment. Say what you like, but it's tough being Chubby Funny.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
A Hungarian immigrant, his friend, and his cousin go on an unpredictable adventure across America.
William Thacker is a London bookstore owner whose humdrum existence is thrown into romantic turmoil when famous American actress Anna Scott appears in his shop. A chance encounter over spilled orange juice leads to a kiss that blossoms into a full-blown affair. As the average bloke and glamorous movie star draw closer and closer together, they struggle to reconcile their radically different lifestyles in the name of love.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.