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**One of the pinnacles of British humor.** This was my first contact with Monty Python, which I already knew famously, and I loved the movie. It is quite simply one of the high points of British humor. The film is easy enough to understand, parodying the Arthurian legends surrounding the quest for the Grail, but the story is just a pretext for successive jokes, each one better than the last. I don't know the group of comedians very well, but I do know a number of great British comedy actors here, starting with John Clease, Terry Jones, Graham Chapman, Terry Gilliam, Michael Palin and Eric Idle. They are very good individually, but priceless together. The film has several moments worth mentioning, starting perhaps with the witch trial, and then moving on to the fight with the black knight or the knights who say Ni. It's not a very long film, but it's really worth seeing every comic situation. The dialogues are full of hilarious moments. The ending, however, is a little less strong than expected, which does not take away from the film any of its merit. Technically, it's not a remarkable film. There is no concern here with historical accuracy or rigorous recreation of the Middle Ages, nor does the film ask for it. We have stage costumes and props, obviously fake but functional, and interesting sets, in castles and in some reasonably well chosen places. There are some special effects and visuals, but they aren't notable. Be that as it may, it's a comedy that remains fresh despite the decades that have passed since its debut.
Seriously, you could die laughing from this film. I remember the first time I watched this film, back in antenna days on the educational UHF station that was all fuzz, and even then I thought I would die laughing. The story of King Arthur always did beg for such a satire. The bits are almost all memorable. I durst not mention even one, because I would be tempted to mention a hundred more scenes and a thousand more lines. This is very slapstick. I never thought I would laugh at cruelty, but when it is obviously so overdone that it can't be taken seriously, like a man having his arms and legs cut off and still thinking he's invincible, especially when the delivery is so perfect, I can't stop laughing. There are some people who don't like this film, but those people are wipers of other people's bottoms.
Fortunately for me this was a rather short visit to the surreal land of Monty Python, and though it does have it's moments, I was really quite unimpressed by their Arthurian antics. We start with Graham Chapman's King Arthur gadding about England tying to recruit some suitably worthy individuals to sit at his round table. Task complete, he gets a sign from God that they must undertake the most holy of quests - and find the Cup of Christ. It now falls to the other three - Cleese, Idle and Gilliam - to dress up in suits of armour and seek the grail amongst the innuendo-ridden kingdom. Along the way they encounter the Black Knight, a castle full of sex-starved maidens, some monks - indeed just about everyone you might expect from mediaeval society before a really annoying denouement with the "Knights of Ni" - all they want is a little garden, or two... All but fifty years on, it's probably not really fair to look at this with 2024 eyes, but this was my first time of seeing it and I was really left thinking - why didn't the police get involved earlier? It's not that the jokes don't work, well not all of them, anyway - it's that they so labour the punchline. It's as if someone took a thirty minute sketch show and decided to pad it out for an extra hour. Less could certainly have been more. There are a few fun cameos - Carol Cleveland's "Zoot" and Connie Booth's witch stand out, but otherwise I felt a bit like I was the victim of some very dated hype. I didn't hate it, but really - what was all the fuss about?
A notorious political satirist conceals his identity and poses as a political candidate.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
Two years have passed since the final battle with Sephiroth. Though Midgar, city of mako, city of prosperity, has been reduced to ruins, its people slowly but steadily walk the road to reconstruction. However, a mysterious illness called Geostigma torments them. With no cure in sight, it brings death to the afflicted, one after another, robbing the people of their fledgling hope.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
A mysterious spacecraft captures Russian and American space capsules and brings the two superpowers to the brink of war. James Bond investigates the case in Japan and comes face to face with his archenemy Blofeld.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.
Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.