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Buckle up. Kimberly Corman has a terrifying vision that a highway pile up will claim her life and that of her friends. Blocking the entrance with her car, Kimberly watches in horror as the crash unfolds, thus saving her life and that of the people in the queue behind her. But the grim reaper is not impressed and he's coming to claim the deaths of all those who should have died in the crash. For a sequel to truly work well it has to come up with something fresh, otherwise why do a sequel eh? Well the makers of Final Destination 2 choose to use the basic same formula of the hugely enjoyable first film, only adding more black humour into the crazy death design broth. Opening with a quite horrific highway pile up, FD 2 then takes us on a journey that sees an assortment of folk offed in various and gruesome ways. The story remains the same as the first film, even though writers Bress and Gruber think they are being intricate by weaving this plot into the original story, but ultimately it's just a devilishly nonsense fun picture. Ali Larter returns for a second helping, and she in turn is joined by a bunch of no mark actors waiting for death, which is perfectly fine for the genre discerning fan. This is a riot, and as long as you don't look too deep into it (why would you really?) you may just find yourself having a real good time. 7/10
***Solid sequel, maybe a notch better than the first film*** The first "Final Destination" movie from 2000 was a rather innovative 'Dead Teenager Movie' in that the killer was Death itself, the Grim Reaper, as an invisible spiritual presence. A group of people, mostly youths, escape a great tragedy due to a premonition of one of them and the rest of the movie involves the Grim Reaper systematically slaying those who cheated Death in various creative ways, usually involving an unlikely chain reaction. The opening tragedy in the first film was a plane crash; in this second film from 2003 it's a horrible highway pile-up; in the third it's a roller-coaster mishap and so on. There are currently five films in the franchise and they all tell the same basic story with different characters and some nuances; they’re all of the same high quality of technical filmmaking. Whether you prefer one or another depends on whether you like the cast and the death sequences (and the locations) because, other than these factors, they're all basically the same, although the fifth film throws in an interesting new twist (Death’s victim can find a substitute). Ali Larter returns as a secondary protagonist while A.J. Cook takes the reigns of the 'final girl.’ Keegan Connor Tracy also has a considerable role in the female department while Sarah Carter has a smaller part. While this is a quality assortment of women, the creators coulda done more with them. On the opposite side of the gender spectrum Michael Landes stars as a state trooper. Jonathan Cherry, Terrence 'T.C.' Carson and James Kirk are also on hand. Their importance to the story is in that order. Meanwhile Tony Todd makes his second of four appearances in the series as a mortician who curiously knows more than he should. I actually like this one a little better than the first one, but like that film, the second half isn’t as strong as the first. Is the final scene supposed to be horrific? Cuz it made me bust out laughing. The film runs 1 hour, 30 minutes and was shot in the Vancouver, British Columbia, area, including Campbell River (although the events take place around New York City). GRADE: B/B-
This is my least favorite out of the series. Just the main character doesn't sell her character to me in this. The death scenes were cool, but it was just an ok movie.
Annie Wilson, young widow and mother of three, makes her living foretelling others' futures—though her own has become cloudier than even she can see. Threatened by a client's violent husband and plagued by visions of a missing local woman, Annie finds herself pulled into a thicket of lies and deception in which her extraordinary gift may ultimately get her killed.
The brain of a male engineer is transplanted into a female’s body. He soon finds it very frustrating to cope with the daily sexist discrimination most women deal with. For example, he is surprised when no one will hire a female engineer. When he is faced with dealing with female sexuality, he quickly begins exhibiting lesbian tendencies.
Dr. Bock, the chief of medicine at a Manhattan hospital, is suicidal after the collapse of his personal life. When an intern is found dead in a hospital bed, it appears to Bock to be a case of unforgivable malpractice. Hours later, another doctor, who happens to be responsible for another case of malpractice, is found dead. Despondent, Bock finds himself drawn to Barbara, the daughter of a comatose missionary.
George is haunted by the demons of his family's past and tortured by the voices inside his head. He makes one last attempt at recovery by contacting his dead mother's doctor. The doctor's orders; that he attend Bedlam Hospital for a guaranteed recovery. As George checks in he's confronted by a world of society's unwanted, unloved and unstable. Soon, he will discover that all is not as it seems. The hospital hides a dark secret. Welcome to Bedlam...
Infection takes place in a dark, isolated hospital, where one doctors mistake has led to dire consequences for a patient. In a hospital death is just a breath away.
A model named Barbara Hallen has disappeared and her father gets private detective Sam Morgan to go to Paris to find his daughter. Barbara's trail leads Morgan to a plastic surgery clinic owned by Dr. Flamand. Morgan's investigation reveals the horrifying secret behind the Doctor's miracle cures which is blood and organs taken from kidnapped young women. As Morgan's investigation closes witnesses are eliminated, one by one, each in a more horrible way.
A pianist takes his ailing wife out of a London hospital at the same time that another female patient there has suffered a miscarriage. Afterwards, the second woman feels empty and withdrawn, and, thinking that getting her away from London will help, her husband takes her to live at a country estate, which turns out to be the former residence of the pianist who left after his wife died. The woman begins to get visions of the wife and her final days; is she becoming possessed by the dead wife of the pianist?
A doctor uses special eye drops to give himself x-ray vision, but the new power has disastrous consequences.
In a nightmarish near-future Los Angeles where human blood is a hot commodity, a former criminal sets out on a mission of vengeance against the corrupt evangelist who nearly took everything from her.
In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was the death accidental?
After taking a bullet to the head, Salander is under close supervision in a hospital and is set to face trial for attempted murder on her eventual release. With the help of journalist Mikael Blomkvist and his researchers at Millennium magazine, Salander must prove her innocence. In doing this she plays against powerful enemies and her own past.