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"C Troop" and their pocket watch leader. Joel McCrea stars as tough US Cavalry Sergeant Vinson, who has to take command of "C Troop" when the senior officers are killed during an Apache attack. But what drives Vinson on? And is he the right man to lead the remaining members of the Troop?. Directed by Joseph Newman, the film's photography comes from Carl Guthrie, screenplay is courtesy of Martin Goldsmith, it's filmed in CinemaScope with De Luxe colour and the co-star list contains Forrest Tucker, John Russell, George N. Neise & Susan Cabot. A moody and tough psychological Western that showcases the truly good side of the "B" Western splinter. Thematically strong with an anti-racist core, and really tightly written by Goldsmith, it's also notable for containing a wonderful performance from McCrea. Though his Western output was very hit and miss (the brilliant Peckinpah film "Ride The High Country" was to come four years later) McCrea was always value for money in even the tardiest of Oaters. Here he gets to really grizzle for all his worth, his Vinson is a bitter man, blinded by hate, yet still capable of softening up if engaged in the right conversation. McCrea is first rate in the role, never over doing the hard-nosed side of the character and garnering believable sympathy when his guard is down. More known for being the director of "This Island Earth", Joseph Newman is hardly the name one links to the direction of a psychological Western. Yet he does a surprisingly good job with the action sequences and rightly lets his actors just tell the story. There's a small complaint that the final battle is all too brief, but that's a touch offset by a hillside "C Troop/Apache" battle that takes place in the first third of the film. Briskly constructed and with no saggy male posturing to weigh it down, the battle shows Newman to be quite adept at crafting a good old fashioned fight to the death between two very old fashioned foes. The film also looks terrific. Though sadly not having a widespread DVD release and therefore not getting a remastered work over, the current print of the film available to television networks and Region 1 DVD is still a treat in this High Definition age. Where once the print was apparently murky, you now should be able to adjust and reap the benefit of what is on offer. Filmed at three locations, Gallup/New Mexico, Red Rock State Park/New Mexico & Kanab/Utah, Carl Guthrie's photography really utilises these locations, one moment it be a beautiful sprawling landscape, the next the rocks are enveloping the characters to portray the tension and confinement of their emotional and physical journey. All given the De Luxe sheen as the browns, reds and uniform blues come vividly to life. Fort Massacre is little known and certainly under seen, thus its reputation has been founded by the casual Western viewer entering into it unaware of what type of character driven film it is. It's hoped that it can now find a newer and more appreciative audience, for it's one of the better "B" Westerns of the late 1950s. 8/10
Wounded Civil War soldier, John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way Old Surehand and Old Wabble are involved in the running conflict between settlers and Comanches who are likely to go on the war path. Old Surehand can count on the support of his friend and blood brother Winnetou, the amiable chief of the Apaches. Written by Robert
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.