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Johansson makes a great performance in an unlikely role, adding great sensuality to the film, even with her very different looking. The story and movie on itself is a rarety. Very fresh but, also, kind of an unfinished joke.
This was a very bizarre and unique viewing experience for me. I greatly enjoy cinematic puzzles, and directors who have the wherewithal, guts and personal integrity to stick to their guns and project their distinct visions without caving in to corporate pressure or normal sensibilities. It is work like this at the cinematic vanguard that makes cinema the most aesthetic of all art forms and the greatest and most intrinsically satisfying component of my life. Though I have Glazer's previous two films, I have sadly not seen them yet, a condition I hope to remedy as soon as possible. A woman and actress of Johansson's beauty is perhaps one of only a select few currently out there who could pull this sort of thing off. And yes, this would make a remarkable double bill with 'The Man Who Fell to Earth'.
**The lady from the white van.** First of all, this is not an entertaining film, but an alien theme on a fictional plot like how they would come live among us. Before that, they need to look like us, so they steal human skins and that's what this film is about. Most of the film was in a van driving around in the Scottland. An alien disguised as a human, looking for the single men in the uncrowded places to seduce and steal their skins. But one day after got curious about being a human being, her routine work gets affected seriously and so what happens to her after is told in the remaining film. It's certainly not the film I was looking for. That's the reason I did not watch it when it got out. But I kind of liked it, it was not as boring as the others advised me. Usually films are for pleasure and timepass and this film did not have those qualities. Hence it financially failed. Surely some people would enjoy it, particularly the critics praised it which is unusual. From the director of 'Birth', Scarlett Johansson in the lead and she was the only good thing in it. The story was a little complicated, so not everybody going the get it, not at the first glance, but if you do, you will enjoy it. The locations were awesome. Watching it on the cold stormy day brought me that original Scottish atmosphere here. I should have rated it better, but no regret for what I gave for it. Its not a suggestible kind, though worth a watch if you're fed up with the regular commercial films. _6/10_
A total artistic wank piece. The plot moves at a glacial speed, thanks to all the filler in it. Sure, it's about a curious alien living among humans and consuming them in some mysterious black fluid that only said alien can walk on. Other than that, it is absolutely boring as hell and totally lacking in any amount of entertainment. The cinematography itself is great though only in some limited moments. I have a thing for beautiful landscapes but let's be realistic, I watch National Geographic and BBC documentaries for that. Otherwise, a lengthy look out in thick white fog from within a motor vehicle is not my idea of an entertaining nor intriguing scene. In short. Absolute rubbish. After the first five minutes, I realised the glacial pace of this film and watched it at 8x playback speed to try and find some semblance of a climax. Nup, nothing. Don't waste your time. It failed financially and if you dare to still watch it, you will realise why.
Well hats off to Scarlett Johansson for agreeing to come filming in a wet and wintry Glasgow for this quite intriguing sci-fi drama. She drives around the city in her van, ostensibly on the prowl for horny young men looking for a quickie. Back at her's, though - and that's not always the same place - they find themselves in all together different sticky situation. There's no violence, or brutality - just a gentle, I suppose drowning, sensation. What is going on? Does she even know? Things begin to change after a trip to the forest that she encounters a gamekeeper who is more used to setting the pace rather than following. His attempt to rape her in the woods seems to act as a catalyst and... Now there is a conundrum here. Is her behaviour changing because of her human interaction, or is it the very nature of that interaction that is feeding her needs? Well that's a question that dogs this quite artistically filmed, large dialogue-free, mystery and maybe there just isn't an answer. It is fun to see a woman doing the predatory work here - her charms equally effective on even the chavviest of Glaswegians, and what I liked about the end is that I still didn't know. It's an odd film, this - enjoyable isn't quite the word, but it is certainly unusual.
The film follows Allison Forche-Marlow, a beautiful, bright, determined, and organized woman, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.
Married couple Bob and Susan Howard decide to see a marriage counselor named Judy Small, who appears trustworthy but harbors dark and conflicted impulses.
With the world under attack by deadly creatures who hunt by sound, a teen and her family seek refuge outside the city and encounter a mysterious cult.
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life-dressed like a ninja and summoning him for an ingenious campaign of revenge-he follows. After their all-nighter ends and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues-and they're for him. Urged down a disconnected path, the closer he gets, the less Q sees of the girl he thought he knew.
Earth as we know it is gone. A virus has destroyed the planet and rendered all its women infertile, all but one. An elite team of soldiers are tasked with bringing the woman to safety on the newly habitable Earth Two. But when they are forced underground they find themselves fighting for survival from an bloodthirsty creature in a maze of ever shrinking tunnels. As the team's ranks start to dwindle, the tunnels shrink and the ammunition run out, the crawl for survival becomes more and more desperate.
Velasco Broca directed "La Costra Láctea" in 2002, as the result of an institutional assignment to develop a sexual education video for teenagers. The film, mixing fokloric Spain with fetishism and aliens, was ultimately not approved as educational material and ended up being broadcast in TVE's La 2, in the show Versión Española, with Bigas Luna's feature "Bilbao".
Tells the story, through surrealist and oniric images, of an alien invasion that feeds on spanish children.
Yorkshire, 1974. Fear, mistrust and institutionalised police corruption are running riot. Rookie journalist Eddie Dunford is determined to search for the truth in an increasingly complex maze of lies and deceit surrounding the police investigation into a series of child abductions. When young Clare Kemplay goes missing, Eddie and his colleague, Barry, persuade their editor to let them investigate links with two similar abductions that draw them into a deadly world of secrecy, intimidation, shocking revelations and police brutality.