A Study in Choreography for Camera

An abstract audiovisual poem by electronic musician and composer Ralph Lundsten.

Following reports of a mysterious crash, an aging farmer encounters a visitor determined on disrupting his quiet way of life.

Mal emerges from the shadows of a mystical forest onto a dark coastline where she crosses paths with Dizzy.

The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.

Runaway is an animated short film about a misunderstanding between a man named Stanley and his treasured 1950s refrigerator, named Chillie.

Love, revenge, magic, sad hour.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Mahaleos voices and music have accompanied the people of Madagascar ever since the collapse of the colonial regime. Yet, even after 30 years of success, the groups seven musicians still keep their distance from the world of show-business, and remain deeply committed to helping their countrys development; their professions range from surgeon to farmer, physician to sociologist and member of parliament. Accompanied by the groups rhythmic melodies, the film follows the singers through their daily lives, giving us a glimpse of the far-reaching social and economic problems of the Malagasy people. The combined talents of the Brazilian, Cesar Paes, and the Malagasy, Raymond Rajaonarivelo, have produced a work that is both ethereal and concrete, poetic and political.

Cowabunga! The surfing '60s ride into the new wave as Frankie and Annette star in this hip update of their old-time, good-time beach movies. With special appearances by Bob Denver, Tony Dow, Pee-Wee Herman, Jerry Mathers and other familiar faces. Frankie and Annette grow up and have kids in the midwest. They return to LA to visit their daughter who is shacked up with her boyfriend and tries to hide the fact. They begin to have marriage problems when Frankie runs into Connie, who has erected a shrine to him in her night club. Their punk son has joined up with the local surf toughs, and things all come to a head when the toughs challenge the good guys to a surfing duel

A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.

It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.