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It’s frustrating to watch a much-anticipated movie that doesn’t quite live up to expectations. Such is the case with writer-director Cord Jefferson’s debut feature. The problem here is that the film tries to tell two stories in one picture, one that it does brilliantly and one that could use some serious trimming, because the inclusion of its segments interrupts the flow every time it comes up during the course of the narrative. This tale of a talented but commercially unsuccessful African-American author (Jeffrey Wright) laments the success of a younger peer (Issa Rae) who writes a best-selling “Black” book that he sees as little more than market-pandering rubbish. However, in response, when he does the same under a pseudonym as a means of protest, he becomes an overnight sensation for all of the artistic and readership considerations that he personally despises. He now has to ask himself how can live with that kind of success, especially when the title becomes a runaway juggernaut. As he struggles with this, he’s also faced with a family drama with the death of a relative, managing the future of care for his Alzheimer’s-afflicted mother (Leslie Uggams) and a ne’er-do-well, self-centered sibling who’s reluctant to help out (Sterling K. Brown). Unfortunately, the domestic story thread is overlong and tends to bog down the satirical social commentary/personal integrity aspects of the picture, which are really strong enough to stand on their own and should have been given wider play (fault the screenplay here). Despite its shortcomings, however, “American Fiction” definitely deserves kudos for the performances of its ensemble cast, especially Wright, who turns in his best work here and has garnered a number of awards season nominations already, with more undoubtedly to come. In all, though, this feels like an offering that’s half-baked for what it serves up, which is regrettable, given that, with some shoring up in the writing, this easily could have become a modern screen classic.
Jeffrey Wright is great in this satirical look at all things hypocritical and exploitative surrounding "blackness" in the USA. "Monk" is the short-tempered writer-cum-lecturer whose behaviour gets him put on indefinite leave by his university and sent to Boston! That's where his family live and where we get our first introduction to his sister "Lisa" (Tracee Ellis Ross). Now she's got the measure of her curmudgeonly brother and as they spar we start to see elements of his deeply-buried humanity emerge. Maybe he's not the man we first thought, and that depth of character becomes more evident as we meet his mother whose Alzheimers is causing confusion and distress. A tragedy strikes which forces "Monk" to re-address his own life choices, his relationship with his recently gay brother "Cliff" (Sterling K. Brown) and of his need to raise the almost $7,000 per month it will cost to ensure the best care for their ailing parent. His latest attempt at getting published failed. His agent "Arthur" (John Ortiz) telling him that his books just weren't black enough. He must be more like "Sintara" (Issa Rae) who writes books about 'real' African American people and their stereotypical ghetto language and experiences. He loathes the very essence of stuff like this, and so - in a fit of pique - cobbles together a novel called "Pafology" which he disdainfully sends off. To his bemused disgust, he is offered a lucrative seven figure sum - useful for the medical bills - and then, even more to his chagrin he meets film producer "Wiley" (Adam Brody) who wants to pay through the nose for the screen rights! Conflicted or what? He needs to look after his mother but his principles are abhorred by what he sees as a selling out. This scenario is only made the more ridiculous when he is asked to judge a prestigious literary award - and his now renamed best-seller is nominated! Cord Jefferson uses the brother's storyline as an engaging diversion - a broke plastic surgeon recently divorced and coming to his homosexuality late, but enthusiastically, in life. There's also his neighbour "Coraline" (Erika Alexander) to whom he takes a reciprocated shine - but can he make that work? It's genuinely laugh out loud at times as we see the frustrations of this man play out. It swipes at the superciliousness of an industry that is essentially not about culture or tradition: it's all about money and perception. The shallow things he despises. Will he come clean? Can he actually grow up a bit, too? Well that's skilfully dealt with in the gem of an ending! This is a cleverly conducted and innovative film that provokes thought and laughter in equal measure and showcases a talented ensemble effort well.
This movie was decent.
A notorious political satirist conceals his identity and poses as a political candidate.
After a tragic accident, Anya flees her home country looking for a new life, when she finally seems to have found her past returns to torment her again.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
A fading southern belle moves in with her sister in New Orleans where her ferocious brother-in-law takes stabs at her sanity.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.