Side by Side

Don McAlpine, legendary cinematographer. World renowned Australian. A documentary of his life journey from teaching physical education in Temora, NSW, Australia to Hollywood, making the visual imagery of an outstanding movies.

Expedition China invites you on location in some of the world's most intense, hard-to-reach environments with the filmmakers of Disneynature's big-screen adventure Born in China.

Documentary on the Thriller, Noir, Fantasy, Science Fiction genders in the Greek cinema for the last 50 years. It is a collage of authentic scenes and trailers of 50 films as presented by 4 girls, bearing the name of the gender they represent. 50 years (1959-2009), 50 films, 45 directors, script writers, authors, critics, producers.

A documentary film about a 70-year-old man who has never in his life had his photo taken. So, one day, he asks a young man to take a picture of him and starts telling his tale of photocopy.

Dimitris Pistiolas, a retired employee for the Greek Post Office, is the owner of the largest cinema museum in the world. In two tiny venues in Athens lies his renowned by the Guinness World Records collection. Now, 90 years old, Dimitris recounts his past, hidden in his machines, hoping that his memories are not going to be lost forever.

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.

AVATARA is not a cartoon. It's a documentary about an Internet subculture who spend their lives immersed in an online 3-D voice-chat program called "Digitalspace Traveler." Through a series of 14 interviews, we uncover the history, art, identities, struggles and emotions of this unique internet community who, since as far back as 1996 have mostly devoted their lives to this software.

A retrospective interview with director Werner Herzog.

It’s a story that made headlines: “Festival Film Banned!” In the late 1960s, the majority of films screened in Australia were censored in some way or another. DELETE the lovemaking. CUT the ‘Open Mouth Kissing’. REMOVE the fondling of the breast sequence. Deemed too ‘inappropriate’ and ‘morally corrupting’ for Australian eyes, these scenes were hacked from feature films and locked away in government archives. When young Sydney Film Festival director David Stratton attempted to program a Swedish film that the censors believed contained ACTUAL sex, a scandal erupted. In a mash-up of never-before-seen banned clippings, SMUT HOUNDS tells the story of how seventy-seven seconds of celluloid scandalised a government and transformed Australian cinema.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.