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**See a boiled egg fly through the air from one mans mouth to another mans mouth and then back again - all in Technicolor!** Comedy - _negligible_. Interest factor - negligible. Original cast members - negligible. Audiences watching it in the theatres in 1994 - negligible. Box office gross - negligible. Farting noises - _absolutely_. Cartoon sound effects - absolutely. Disinterested/embarrassed performances - absolutely. Enthusiastic Russian actors who believe they are performing in a masterpiece - absolutely. After watching this movie I had forgotten how to smile. I saw somebody else laughing and I had to ask them what they were doing with their face and what the _unusual sound_ meant.
**An unnecessary film.** Sometimes it seems producers have a hard time understanding when a movie shouldn't be made. The “Police Academy” franchise should have ended in the sixth film, and even then it would be ending up pretty worn out. This film, made several years later, was an effort that was simply needless and certainly leaves no one with good memories. After seeing the movie, I was really sorry that the franchise ended with such a bad movie. It was something that, for me, should have been avoided. “Police Academy” was one of the most interesting and successful comic franchises of the 80s, and there are still many people who have fond memories of these films today. I myself, as a child, saw them several times on television. The script is perfectly idiotic and a simple excuse to take some of the characters in the film to post-Soviet Russia, where they must help the local police to fight a big mobster who is turning into an oligarch (one of many that, as we know, emerged from the ashes of the communist regime, fat with shady deals in which the Russian people ended up losing). It's an unhappy, poor script made by incapable people. Humor, on the other hand, is completely absent. I don't laugh for a single minute. The cast, which until now had been relatively stable (with the absence of several actors starting from the fourth film), had completely collapsed, and most actors refused to be part of this project. George Gaynes is back, but his character, Commander Lassard, looks simply like an old man with Alzheimer's (with all due respect to anyone suffering from this serious illness, don't get me wrong). Gaynes is not funny, and his performance here is disgraceful. Michael Winslow also tries to make some of the jokes he's already used to us, taking advantage of his vocal skills... but he doesn't have the material or time and what he does has no freshness or novelty. Sir Christopher Lee makes a brief appearance in the film, and as far as I can understand, he did so as a favor to the producer. Friendship is a beautiful thing, and also professional courtesy, but I bet Lee won't want to be remembered for this movie (and he certainly won't, he's done better things, as we know). Who ends up standing out in some way is Ron Perlman. The actor, who we know for other, much more dignified works, tried to be funny and give some dignity to his character. Meritorious, respectable, but unworthy of the actor he is. The rest of the cast is not worth mentioning. Are there any redeeming qualities in this film? To be honest, I don't think so..., but even so, I feel obliged to make a small caveat: I liked the fact that they did a lot of the filming in the real city of Moscow and that they used real Russian extras and Russian speakers. This gives the film a certain authenticity that deserves to be highlighted, and which is most lacking nowadays, where any piece of green or blue screen replaces a real set and saves a few dollars on the production budget. However, it must have taken courage and some dose of madness to try to make a film in the midst of the political and military upheavals Russia was experiencing in those years.
An English teacher and struggling single mother has her life disrupted when the father who abandoned her as a child comes back into her life.
Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.
Los Angeles District Attorney’s office professes to protect the residents of Los Angeles County by prosecuting violent and dangerous criminals and seeking justice for all. But there is a dark side to the LA DA’s operations, when it is utilized by powers-that-be to persecute whistleblowers, violate the civil rights of U.S. citizens and stop investigations of criminal elements.
Harlem's legendary Cotton Club becomes a hotbed of passion and violence as the lives and loves of entertainers and gangsters collide.
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.
A hard boiled detective investigates the murder of a notorious mobster, after it is linked to a myserious website.
After the events of the previous year's video, Nathan is back at it again to make another video for the channel; but all is not what it seems.
Detroit Mob Confidential explores the history of Detroit's La Cosa Nostra Family, which, in many ways, is the most successful crime family in the United States. Detroit's family has had only 2 Dons, the current boss has served for 30 years and is the longest serving mob Don in America. The documentary consists of interviews with multiple FBI agents and Federal prosecutors as well as several mafia associates from the 1950's and 1960's. Topics such as the Detroit "Combination's" (as the Family is known) infiltration of Las Vegas casinos and their centrality to the disapearance of Jimmy Hoffa are discussed.
An extensive overview of organized crime operations in and infiltration of the Las Vegas casino and gaming industry, covering the years 1931-1987.
Richard Kuklinski was a devoted husband, a loving father...and a ruthless killer. A decade after HBO last visited him in prison, the convicted murderer, who freely admits having whacked more than 100 people in cold blood, takes viewers back inside his cold, calculating mind. In this follow-up to America Undercover's 1992 film The Iceman Tapes: Conversations with a Killer, Kuklinski provides all-new insights about his exploits as one of the Mafia's most notorious assassins...and reveals some shocking confessions for a number of previously unsolved murders.
Godfathers investigates the mob like no other documentary before it. From the mass immigration of Italians at the end of the 19th century to money laundering on the New York Stock Exchange in 2000, this up-to-date, feature-length production offers a unique perspective on the history of the Mafia as seen through the eyes of an Italian journalist. With newly discovered footage from Italian archives and rare interviews from both sides of the law, Godfathers probes the psychology, the sociology, and the economics behind this powerful yet secretive society. Some of the biggest names in mafia history are introduced, and the ways in which their political savvy helped them orchestrate many of history's major events is explained.