Last Flight to Abuja

Set for 20 centuries BC., in the land of Far West , in eastern Sahara Africa; there lived King Bunzo of the great Tribe Nation, seeming little in size but mighty in times of war. The Empire of Tribe has authority over every other empire. King Bunzo chooses to sell his male subjects to slave traders who worked for the bloody tasty King of Northern Kingdom known as Emperor Tobitotaya. Emperor Tobitotaya is a dreadful Leader that wants Kings of other Nations to bow before him. Any King who refuses to do so, he would give a handshake of War. From greed, to betrayal, to bravery, to love, Tribe is a film that has a good dosage of such emotions in a manner that will have cinema lovers glued to their seats.

Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.

When a joy ride goes very wrong, fast-talking teenager Tunji and his friends must scramble to raise the money to fix their stern uncle Taju's beloved car. With just five hours before Taju gets off work, the four young men resort to every infamous Las Gidi street hustle they know.

Three families navigate uncertainty and struggle when cancer affects their lives and presents emotional challenges that test their bonds.

A loving husband is diagnosed of brain tumor that threatens his life. He has a last request that sends his family into disarray. He soon realizes the effect of his request in his family. He begins to seek a solution to his problem and a way to bring his family back together.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

The film follows a young couple living in Philadelphia area working to pursue their dreams. Cynthia Andrews is an aspiring actress who has been in a comfortable celibate relationship for three years with a faith oriented semi-pro kickboxer named Jay Durant. While Cynthia is pursing her dreams of acting, she is diagnosed with a life threatening disease and told she needs a kidney change or she was not going to survive. The process of finding a donor and managing her acting dreams and the thoughts of her not getting married and raising a family of her own become a burden. She begins feeling like all hope is lost, and her dream of becoming that actress and mother she always wanted to be was not happening as time was ticking. The film touches on the relevance of faith, hope and true love.

When Temi, the gorgeous wife of a high profile senator is robbed, four suspects arequickly apprehended and arrested. Although each detainee proclaims his innocence, Temi identifies each of the attackers along with her stolen property, seemingly resolving this classic open and shut case. But a senior detective, on the eve of his retirement risks his reputation when he suspects there is more to the story. High powered political intrigue clashes with gritty street violence and the prospect of deep corruption in this riveting mystery where one man fights to prevent the truth from becoming another casualty.

A desperate girl in need of a job resorts to applying for a house girl position when the friend that she is squatting with blocks all her efforts at getting a corporate job, and receives way more attention than she had bargained for.

A wealthy orphan is well on her way to destruction, which has been orchestrated by her best friend, but she finds an unlikely guardian angel.

A slick serial seducer bets his friends that he can bed three old flames in six weeks, in this risqué comedy from the director of the smash hit Wives on Strike.