L'Élève

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Yeong-hoon realizes that he is strangely drawn to Mi-ran, a married woman, who is one of his colleagues at work and adored by many men. Yeong-hoon keeps flirting with her constantly and he finally ends up having a passionate sex with Mi-ran. He becomes deeply drowned into her allure. One day, Yeong-hoon receives a shocking video message when he visits Mi-ran’s house. The video informs him that Mi-ran’s couple has been using Yeong-hoon as their sex partner. Mi-ran’s husband, Jeong-wook invites him to join their games. Yeong-hoon cannot decide between his loving emotion for Mi-ran and his desire. Yeong-hoon after all tells the husband to let her go, because he is in love with Mi-ran. Jeong-wook accepts his request under one condition, which is that Yeong-hoon should have sex with Mi-ran in front of Jeong-wook. Yeong-hoon accepts the suggestion and starts having sex with Mi-ran in front of Jeong-wook, but he stops in the middle.

A tough-guy cop pursues two drug runners across the city to bust a large syndicate. Very much an anti-hero, Mitchell often ignores the orders of his superiors and demonstrates disdain for by-the-book development work as well as normal social graces.

A fine distinctness of manhood come from the aftermath of a rape victim's life.

A young man suffering from lymphoma befriends an interesting young woman after an accidental meeting at a doctor's office.

The film is an adaptation of the novel Samar Habib by Ismåeel Walieddin. author of Female Homosexuality in the Middle East: Histories and Representations. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.

Pepe el Toro is married to Celia la Chorreada and they have two children.