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Dimension 20 - (Mar 28th)
Resident Alien - (Mar 28th)
Allegiance - (Mar 28th)
Invincible - (Mar 28th)
The Kelly Clarkson Show - (Mar 28th)
The Great Canadian Pottery Throw Down - (Mar 28th)
After Midnight - (Mar 28th)
Reality of Wrestling - (Mar 28th)
Gogglebox Australia - (Mar 28th)
Tipping Point Australia - (Mar 28th)
The Chase Australia - (Mar 28th)
Salvage Hunters- The Restorers - (Mar 28th)
Selling Houses Australia - (Mar 28th)
New Zealand Today - (Mar 28th)
Deal or No Deal - (Mar 28th)
Salvage Hunters - (Mar 28th)
Loaded in Paradise - (Mar 28th)
The 11th Hour with Stephanie Ruhle - (Mar 28th)
Dateline- Secrets Uncovered - (Mar 28th)
The Cook Up with Adam Liaw - (Mar 28th)
You may well ask, why should you watch this particular version of Jane Austen's Persuasion? well, settle in and let me tell you. I think I own almost every filmed version of every Austen novel. I find different strengths and weaknesses in all of them, but I would not trash any of them the way people do some versions because they don't stay true enough to the books. I write novels myself in my spare time and - were I lucky enough (or good enough) to have any made into a film - I would not be offended if they were changed. Books and movies have different needs and ways of telling a story. That said, I really love this interpretation of Persuasion. I greatly appreciate how British productions often don't automatically lunge for the most beautiful or most handsome actors and actresses for their lead roles, as American productions are apt to do. Sally Hawkins is by no means ugly, but she is almost homely in some of her scenes, such as when she is weeping. I read a criticism in a review of how the actors stare into the camera, but I think Sally is at her most masterful doing just that, looking right at us, such as in the very first scene, or the weeping scene I just mentioned. Her facial expression changes are sometimes dramatic and other times subtle but still very effective. I think all of the acting is wonderful here, from the effete snob father right down through to the many minor characters. I do admit I was a bit mystified by one aspect of the ending. I will try not to give it away to those who may actually be deciding whether to watch it, but the book's ending is changed for the film, which as I said above, isn't a problem for me in itself. There are enough versions of Austen movies or mini-series out there that I am fine with each doing some interpreting. And in this version, they want to make the final scene more dramatic. That is fine. But what struck me as weird was that Anne follows a character out the front door just seconds behind him, but that person is nowhere to be seen on the street, and she goes off in pursuit. It wouldn't have taken much to have Anne be delayed leaving just long enough to make it realistic that there would be no sign of him when she steps outside. But I forgive them that oddity. Perhaps it was the result of an editing room dilemma. Also in that scene they show her walking from above, which makes for a strange angle. Since then I have seen that technique used more, so perhaps it is a new thing. The music by Martin Phipps is also wonderful, moody and rich. I am surprised that the soundtrack was not made available (the last time I checked). The closest I have come to finding it was, oddly enough, a CD called H2O by the Canadian nature CD producer Dan Gibson. It is similar to the main theme music of the movie, though obviously not the same thing.
Wealthy and precocious teenager Juliet transfers from England to New Zealand with her family, and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. When their parents begin to suspect that their increasingly intense and obsessive bond is becoming unhealthy, the girls hatch a dark plan for those who threaten to keep them apart.
A 19-year-old searches for her twin brother after he runs away from home, following a fight with their father.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him.
Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny. If she wishes to return to her real father, Ofelia must complete three terrifying tasks.
With his eye on a lovely aristocrat, a gifted illusionist named Eisenheim uses his powers to win her away from her betrothed, a crown prince. But Eisenheim's scheme creates tumult within the monarchy and ignites the suspicion of a dogged inspector.
Quirky and rebellious April Burns lives with her boyfriend in a low-rent New York City apartment miles away from her emotionally distant family. But when she discovers that her mother has a fatal form of breast cancer, she invites the clan to her place for Thanksgiving. While her father struggles to drive her family into the city, April - an inexperienced cook - runs into kitchen trouble and must ask a neighbor for help.