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Chicago P.D. - (Feb 27th)
Chicago Fire - (Feb 27th)
Murder Under the Friday Night Lights - (Feb 27th)
Expedition X - (Feb 27th)
Roadworthy Rescues - (Feb 27th)
Survivor - (Feb 27th)
Bad Good Cop - (Feb 27th)
The Tommy Tiernan Show - (Feb 26th)
Chicago Med - (Feb 27th)
Abbott Elementary - (Feb 27th)
Salvage Hunters - (Feb 27th)
Celebrity Help My House Is Haunted - (Feb 27th)
The Bold and the Beautiful - (Feb 27th)
Lets Make a Deal - (Feb 27th)
The Price Is Right - (Feb 27th)
The Young and the Restless - (Feb 27th)
Shifting Gears - (Feb 27th)
George Clarkes Building Home - (Feb 26th)
The Last American Vagabond - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
You may well ask, why should you watch this particular version of Jane Austen's Persuasion? well, settle in and let me tell you. I think I own almost every filmed version of every Austen novel. I find different strengths and weaknesses in all of them, but I would not trash any of them the way people do some versions because they don't stay true enough to the books. I write novels myself in my spare time and - were I lucky enough (or good enough) to have any made into a film - I would not be offended if they were changed. Books and movies have different needs and ways of telling a story. That said, I really love this interpretation of Persuasion. I greatly appreciate how British productions often don't automatically lunge for the most beautiful or most handsome actors and actresses for their lead roles, as American productions are apt to do. Sally Hawkins is by no means ugly, but she is almost homely in some of her scenes, such as when she is weeping. I read a criticism in a review of how the actors stare into the camera, but I think Sally is at her most masterful doing just that, looking right at us, such as in the very first scene, or the weeping scene I just mentioned. Her facial expression changes are sometimes dramatic and other times subtle but still very effective. I think all of the acting is wonderful here, from the effete snob father right down through to the many minor characters. I do admit I was a bit mystified by one aspect of the ending. I will try not to give it away to those who may actually be deciding whether to watch it, but the book's ending is changed for the film, which as I said above, isn't a problem for me in itself. There are enough versions of Austen movies or mini-series out there that I am fine with each doing some interpreting. And in this version, they want to make the final scene more dramatic. That is fine. But what struck me as weird was that Anne follows a character out the front door just seconds behind him, but that person is nowhere to be seen on the street, and she goes off in pursuit. It wouldn't have taken much to have Anne be delayed leaving just long enough to make it realistic that there would be no sign of him when she steps outside. But I forgive them that oddity. Perhaps it was the result of an editing room dilemma. Also in that scene they show her walking from above, which makes for a strange angle. Since then I have seen that technique used more, so perhaps it is a new thing. The music by Martin Phipps is also wonderful, moody and rich. I am surprised that the soundtrack was not made available (the last time I checked). The closest I have come to finding it was, oddly enough, a CD called H2O by the Canadian nature CD producer Dan Gibson. It is similar to the main theme music of the movie, though obviously not the same thing.
A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.
HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.
A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys' home known as The Island. Juhani has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula can truly be.
Having recently lost his mother, teenager Henry Nearing develops a crush on seductive classmate Grace, who toys with him. Though he has been friends with Merna for a long time, he fails to see her sincere attraction to him, and instead wastes time with the uncaring Grace.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.
A young man returns to his ex-girlfriend and true love to discover the source of her increasing depression. As the young man earnestly tries to help his girlfriend through her troubles, their love begins to bloom.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
Relationship issues arise between a researcher with a theory to explain away all his failed dating experiments, a player who wants out of the game, a deejay whose head spins with thoughts of God, a hoodrat with no street cred, a poet not-so-well-versed in the art of love, and a womanipulator of men.
The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.