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Experience has taught me never to trust a policeman. Just when you think one's all right, he turns legit. Out of MGM, The Asphalt Jungle is directed by John Huston and based on the novel of the same name by W.R. Burnett. It stars Sterling Hayden, Jean Hagen, Sam Jaffe, Louis Calhern, James Whitmore, Teresa Celli, and in a minor but important role, Marilyn Monroe. Miklós Rózsa scores the music and Harold Rosson photographs it in black & white. Plot sees Erwin "Doc" Riedenschneider (Jaffe) leave prison and quickly assemble a gang to execute a long in gestation jewellery heist. However, with suspicion rife and fate waiting to take a hand, the carefully constructed caper starts to come apart at the seams. John Huston liked a tough movie, having given film noir in America a jump start with The Maltese Falcon in 1941, he also that same year adapted W.R. Burnett's novel High Sierra. Burnett also had on his CV crime classic stories Little Caesar & Scarface, so it's no surprise that Huston was drawn to The Asphalt Jungle. As it turned out, it was a match made in gritty urban heaven. The Asphalt Jungle was one of the first crime films to break with convention and tell the story from the actual side of the criminals. Where once it was the pursuing law officers or private detectives that were the heavy part of the plotting, now under Huston's crafty guidance we have a study in crime and a daring for us to empathise with a bunch of criminals, villains and anti-heroes. As a group the gang consists of very differing characters, and yet they have a common bond, for they each strive for a better life. Be it Hayden's luggish Dix, who dreams of buying back his father's horse ranch back in Kentucky, or Jaffe's Doc, who wants to retire to Mexico and surround himself with girls - it's greed and yearning that binds them all together - With alienation and bleakness, in true film noir traditions, featuring heavily as the plot (and gang) unravels. With gritty dialogue and atmospherically oozing a naturalistic feel, it's also no surprise to note that Huston's movie would go on to influence a ream of similar type films. Some good, some bad, but very few of them have been able to capture the suspense that is wrung out for the actual heist sequence in this. Fabulous in its authenticity, and with that out of the way, it then sets the decaying tone for the rest of the piece. Interesting to note that although we are now firmly in the lives of the "gang", including their respective women (Hagen, Monroe & Celli all shining in what is a very macho movie), we still know that the society outside of their circle is hardly nice either! This is stripped down brutalistic film noir. Merciless to its characters and thriving on ill fate, and closing with a finale that is as perfect as it gets, this is a top line entry in what is the most wonderful of film making styles. 9.5/10
After the ordeal with Samara, Rachel and Aiden move to a rural town. But soon Rachel learns about the death of a girl in a similar fashion. To save Aiden, she must dig into Samara's past even further.
A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television.
In 1841, young Ishmael signs up for service aboard the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.
Tom Ripley is a talented mimic, moocher, forger and all-around criminal improviser; but there's more to Tom Ripley than even he can guess.
A baseball legend almost finished with his distinguished career at the age of forty has one last chance to prove who he is, what he is capable of, and win the heart of the woman he has loved for the past four years.
When spirited young woman, Fanny Price is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns 'their' ways, she also enlightens them with a wit and sparkle all her own.
A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?
Suspicious that her colleague is responsible for a series of mysterious patient deaths, a nurse risks her own life to uncover the truth.
When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Irresponsible party girl, Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer, Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.