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I guess if you watch this post 2016... it is going to be very, very confusing. After all, this is a movie about protecting the working class, about saving factories, about the devastation that outsourcing does to communities... and, as of writing this in 2019, Moore is siding with the party that wants to outsource jobs, that refuses to protect labor, and that calls any protecting of domestic labor evil and nationalist. And all of this while Moore himself just called the working class dangerous and implied that they are all evil racists for not supporting the party that is currently against protecting labor. What the heck happened to Michael Moore? He kind of turned his back on the people that made him famous. Regardless, once upon a time, as far back as Roger & Me and as recently as Capitalism: A Love Story, Michael Moore supported the working class. He made documentaries about their plight. He championed them. This started it all. Before Michael Moore traded people for party he made movies like this that showed the devastation that NAFTA economic policies did to the rust belt. He was a friend of the people. Now he calls the Rust Belt "Trumpland" and the people he once championed "racists." But back in the day, he was able to make films like this that advocated for the people. He was able to make films like this that fought for the working class. Once upon a time, he was fighting for us, he was giving us hope. It's amazing how much one person can change. Now the message still resonates, it's still as true and honest as it was back in 89, but it stands for what happens when wealth and fame and partisan politics hit a formerly compassionate human being.
Marseille. The director of a company offers a promotion to Francois (Michel Creton) if he accepts to help him fire all the staff from his office. If he refuses, he will himself be fired. Francois opts for the latter. He registers as unemployed and discovers what he has lacked so far in his life: a certain freedom. His habits are changing as well as his attitude towards the others changes ... Luce (Claude Jade), his wife, and Marquerite (Courtois Queen), her stepmother, are surprised: why he is not himself anymore?
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.
In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.
While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
An comedy set in 1960s Helsinki. The story revolves around Elsa, a resolute hatmaker who is in complete control of her life. Besides running her shop, she sometimes doubles as a fortune teller. When Jan, a Czechoslovakian jazz musician and Elsa's old lover comes to town to perform at a "peace and friendship festival", her well-organised life is jolted out of balance.
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.
Should the United States eliminate the penny? "Heads-Up: Will We Stop Making Cents?" is a documentary that explores the different sides of the debate, touching on the role of the penny in today's economy, predictive economic models of a penny-less future, and the cultural importance of the coin. Radio DJ and Actor Laurie Gallardo narrates the penny odyssey as we travel from Texas to Canada, stopping to speak with former Mint Directors, lawmakers, economists, and more than a few unique penny characters, including a coin-hunter, a former President*, and one very memorable penny prankster. * "Abraham Lincoln" appears in the film.
After standing in as best man for his longtime friend Carl Petersen, Randy Dupree loses his job, becomes a barfly and attaches himself to the newlywed couple almost permanently - as their houseguest. But the longer Dupree camps out on their couch, the closer he gets to Carl's bride, Molly, leaving the frustrated groom wondering when his pal will be moving out.
Once heralded as the spirit of American manufacturing, music, and democracy, Detroit kicked its fiscal can down the road for decades plummeting into insolvency, culminating in the largest municipal bankruptcy in U.S. history. GRADUALLY, THEN SUDDENLY is the inside story of how a state-appointed Emergency Manager and the people of this iconic American city- confronting financial ruin-followed a treacherous path towards a new beginning.
In the form of an allegory of society, the film denounces a system dominated by money and power relations while focusing on the violence that structures cause on human relations.